The AFI DOCS Interview: SOLITARY Director Kristi Jacobson – American Film Institute

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The AFI DOCS Interview: SOLITARY Director Kristi Jacobson

In SOLITARY, director Kristi Jacobson takes viewers deep into Virginia’s Red Onion State Prison for a yearlong submersion in one of the most controversial aspects of America’s modern prison-industrial-complex: solitary confinement. Red Onion is just one of 40-plus supermax prisons, which force prisoners to spend 23 hours of every day alone. The film focuses on the policy’s impact on both sides of the bars.

AFI spoke to the director ahead of the film’s AFI DOCS premiere.

What led you to documentary filmmaking?

I studied sociology in college, specifically criminology and juvenile justice. Working at a courthouse in Raleigh, NC, opened my eyes to the brokenness of the juvenile justice system. I had wanted to become a lawyer, but after that experience, I decided to tackle the system itself, rather than work within it.

I understood from an early age the power of film and thus began my life journey as documentary filmmaker. I continue to be drawn to stories that explore that brokenness I observed up close — how things got so broken and how they can be fixed. I am also interested in people and what drives them during the best of times, and what keeps them going during the worst of times. What are the societal forces at play that contribute, and in many cases determine, our experience? Ultimately, I am interested in how, in the end, we are all the same: humans striving for connection.

What inspired you to tell this story?

I’ve made films about many different subjects, but it feels like this was the film I was destined to make. After the wide release of A PLACE AT THE TABLE (2012, co-directed by Lori Silverbush), I took some time to think about the stories that have driven me for most of my life. I was reading about how kids are locked up in solitary confinement — in juvie, in jails and in prisons. I can recall in detail the night I read the New Yorker piece “Hellhole” and learned that there are around 100,000 inmates in solitary across the US, many locked in solitary for the most arbitrary reasons; and most people don’t seem to know, or care, about it. People locked in solitary are as forgotten as you can imagine. The existence of supermax prisons is generally unknown and they’re kept off-limits to press.

After we began filming, I became interested in not only telling the story of the men behind bars, but also the story of those who spend their days working at the prison. They are the sons and daughters of Virginia’s coalminers, escaping their parents’ fate by finding jobs at one of the country’s most notorious supermax prisons, where they face danger and madness daily by working in a place few know or understand.

How did you find the subjects for your film?

When we set out to make this film, many told us that filming inside of a supermax would be impossible; these prisons are known as “black sites” by the journalists covering this issue, who have worked tirelessly for decades to expose what goes on inside. During our research we discovered that Virginia had begun implementing a new “Step Down” reform program to reduce the number of inmates held in solitary at its notorious supermax, Red Onion State Prison, through behavioral modification and other evidence-based practices.

When I first spoke to the Director of the Department of Corrections, he was remarkably open; we began a series of phone conversations about the issue and the reforms he was implementing. That soon led to the importance of capturing what it’s like to be in “seg,” as well as the program, that ultimately led to approval to film for three days at the prison. Once inside the prison, the Warden provided our crew with an opportunity — access to the inmates, the place and the men and women who work there. I am grateful to the everyone at Red Onion who courageously shared their stories, as we returned to film many times over the course of one year.

What was a particular challenge you faced while making this film?

Once we overcame the obstacle of filming inside of a supermax prison, the biggest challenge in making this film is that we couldn’t tell everybody’s story; that fact kept me awake at night, and still does. The stories we tell in the film are deeply personal, powerful and important — and taken together, these stories reveal a lot about our country. But there are so many stories, at Virginia’s Red Onion State Prison and across our prison system, that should be told and heard. While that’s always true when making films, it was, and is especially, challenging on this film.

What do you hope audiences take away from SOLITARY?

I think we are conditioned to have certain feelings about those who are locked in our prisons. The media portrayals, politicians and the endless episodes of LOCKUP all work hard to keep us scared of the “monsters” locked up in our prisons that should be ignored and forgotten. We spent many days shooting inside the prison over the course of a year, and each time I felt not only a deep empathy, but a responsibility to tell the stories of the people I met. This includes the inmates and the officers who bravely shared their stories with me. It’s their stories that kept me going back, and now I hope that audiences will come with me into the world of Red Onion State Prison with an open mind and an open heart, and come away feeling moved by this journey — and thinking about what it means to be human, our shared responsibility to create a society that prioritizes rehabilitation and hope over extreme punishment.

Why is Washington, DC, a valuable location in which to screen your film?

I believe in the power of film and I believe that policymakers, change-makers and leaders are integral to create awareness and to get vital reforms made, at the state and federal levels. For change to happen it’s essential to involve ordinary people, activists and key influencers, and screening in our nation’s capitol provides a powerful platform to bring all of these groups together.

SOLITARY plays AFI DOCS on Thursday, June 23 at 6:30 p.m. and 8:45 p.m. Buy tickets here.

 

Comments (2)

Donny jordan

After watching your film Inside Red Onion State. Excellent film for starters. Really brings to life what happens when you do the unforgiven. I know there’s those that we can’t change or help, but if anyone thinks that they can segregate a person for years and then expect to release that individual back into the real world. Is crazier than the craziest individual. The Mental Health Supervisor in that prison in my opinion is a nut himself. He sits there and says he really hasn’t been in the system long enough to determine whether segregation has an effect on there mental health. And he’s their Supervisor?? Anyone with a brain can see it definitely has a huge effect on ones mental status. Also the Warden I really feel he has a bad taste in his mouth towards the prisoners. Yes his main concern is his officers and the public, I agree. But if he doesn’t change or willing to change any policy’s then his prisoners will always be the same or worse. Just making the windows where they could see the trees and mountains would probably make huge improvements. And when a person of authority is talking to a inmate, at least pretend to understand or care. Cause you can tell when talking to one whether they give a crap on what your saying. If you treat a person like an animal then you’ll get animal responses The young black man you interviewed is smarter than most of the personal you interviewed. Maybe listen to what they are saying and just maybe that prison will learn something on top of that make there prison inmates better and also makes the officers safer. This is just my opinion, maybe I don’t know anything. But I really enjoyed your program. Thank you for allowing me to comment.



Isaac Syn

This was a very in depth film that showed not only the frontal view of the inmates, but rather their insides and the reevaluations that they thought about. When discussing the prison complex there is always the inmates and the workers, how which side has it worse. The workers put up with it, but they get a release from it, the inmates don’t. We see the impact that seg has on the inmates and it makes us wonder. We all know its hard to forgive them, but they’re human. All the wrong they did can’t be forgiven by most. It takes such emotional strength to look past their flaws and see them for them and what potentially caused them to do these things. We often get caught up with calling them monsters and evil, although the things they did were exactly that, sometimes we can’t let peoples actions define them. A concept so hard to grasp. All their intentions and actions stem from somewhere. Upbringing, environment, family, all these factors contribute to these things. In the end, we need documents like this to not only showcase the prison but the impact it has. Change is obtainable if you allow yourself to be free.


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