AFI Alumni: Creative Paths to Production Design Careers
Production designers working in film and television come from diverse creative fields, including architecture, interior design, fashion, fine arts, theater, motion design and fabrication. These backgrounds build core skills in visual storytelling, spatial awareness and design thinking, making them strong entry points into production design careers. At the AFI Conservatory, Fellows bring a wide range of experiences and transform them into careers in film and television.
Keith Cunningham (MARE OF EASTTOWN, TASK) transitioned from architecture, applying his understanding of space and structure to storytelling.
Yong Ok Lee (MINARI, THE FAREWELL) worked as a fashion editor in Korea before pivoting to production design, bringing a refined sense of texture and color to her work.
Argya Sadan (DON’T WORRY DARLING, THE KILLER), originally on an architecture track in India, shifted her focus to film and television.
Javiera Varas (FIRST WIVES CLUB, HARLEM) began in motion graphics before discovering her passion for art direction on a commercial.
Esmé Jackson (THE ACCOUNTANT 2, FOR ALL MANKIND) studied industrial design and discovered her love for building and fabrication while working in a scene shop.
These stories highlight a key truth: production design is where multiple creative disciplines converge.