“We’re thrilled to partner with AFI for a second year to support this talented group of creatives in taking their careers to new heights. This program is close to our hearts at Canva because we believe in the power of visual storytelling to transform and inspire. Each of these recipients represents a unique voice and vision that we are excited to see flourish,” said Kristine Segrist, Global Head of Consumer Marketing at Canva.

About the 2024-2025 Recipients

Eliana Alcouloumre (Directing)

Eliana Victoria Alcouloumre a Los Angeles-based director who has directed projects across the US, Italy, Mexico and Ireland. She graduated from USC’s School of Cinematic Arts with a double major in film production and cinema studies and was one of four students selected to direct a thesis. Since then, she has worked as a union boom operator, first team set PA and art department researcher on projects such as EUPHORIA, OPPENHEIMER and MINDHUNTER. She has also been selected for screenwriting mentorships in Italy and France, and her first feature screenplay was a quarterfinalist in the Academy’s Nicholl Fellowship.

Silas Croddy (Cinematography)

Silas Croddy graduated with a bachelor’s degree in English and Russian from Bryn Mawr College. They then obtained their master’s degree in film aesthetics from Oxford University, where they did research on topics such as Soviet war cinema and camp aesthetics. For their dissertation, they wrote on the sapphic gaze in PORTRAIT OF A LADY ON FIRE. Since then, they have spent several years doing camera work in the UK, from shooting short films and promotions to working as a camera assistant in film, TV and online campaigns.

Frida Gonzalez (Editing)

Frida Gonzalez is an award-winning Mexican-American film editor with a BFA in motion pictures and television. She was born and raised in San Francisco, and the city’s artistic influences led her to develop a deep passion for filming and editing fascinating stories. She has edited several short films, including A SEARCHING SOUL and LA NOCHE, as well as two episodes of the award-winning independent television series THE LAST GASP. Gonzalez is currently in post-production for THE FURY, a horror short film full of female rage, and aims to partner with genuine storytellers to continue creatively crafting stories through the art of editing.

Cierra Hendrix (Producing)

Cierra Hendrix is a producer originally from Smithfield, Virginia, who moved to Los Angeles in 2023 after graduating from Norfolk State University with a Bachelor of Science in mass communications with a focus on broadcasting. At NSU she served as the Mass Communications department’s Media Specialist. She produced, directed and edited two talk shows, PREMIER and LET’S TALK, which aired on Norfolk’s local channel 47 for two seasons each. In 2022, she attended the Nate Parker Foundation Film Institute, where her original film REMOTE was produced and screened at the 2023 Pan African Film Festival in Los Angeles, CA.

Khairi Reynolds (Production Design)

Khairi Reynolds is a Syracuse University graduate holding a degree in architecture. Following graduation, he delved into the professional realm of architecture across the Bay Area, Los Angeles County and New York City, contributing to projects Including high-rise towers and homeless shelters from container pods to amusement park designs. However, his true passion lies in film and television. He began drafting for the CBS series THE NEIGHBORHOOD and expanded his portfolio to include music videos for Avril Lavigne (VMA nominated), horror movies with Dolby Labs, art direction for the AFI Conservatory thesis film WE WERE MEANT TO (official Sundance selection and Oscar qualified) and animation projects with CRUNCHYROLL.

Elle Tilden (Screenwriting)

Elle Tilden graduated with a bachelor’s degree in English literature from Lewis & Clark College. She studied publishing at the Columbia Publishing Course at Oxford. Most recently, she worked as a senior editorial coordinator at New York Magazine, where she helped manage publication processes across web and print. Tilden also managed the magazine library and worked closely with in-house producers to pitch archival material for film and TV development.