AFI DOCS Forum Will Feature Sessions In Response To Rapidly Changing World Events, Filmmaker Panels, Networking Opportunities And More
FOR IMMEDIATE RELEASE – June 10, 2020, WASHINGTON, DC — AFI DOCS — the American Film Institute’s five-day documentary film festival, supported by Presenting Sponsor AT&T — has announced its 2020 Forum. Open to all AFI DOCS passholders and festival filmmakers, the five-day Forum will take place June 17-21, with live sessions streaming online.
The Forum presents a variety of networking and professional development events and discussions for filmmakers, industry professionals and those with a passion for nonfiction storytelling. The AFI DOCS Forum is supported by the Corporation for Public Broadcasting and the National Endowment for the Arts. Primary Media Partners NBC News’ Meet the Press and The Washington Post are hosting and moderating sessions.
“The AFI DOCS Forum has always been a unique aspect of our festival, where filmmakers, industry leaders and festival attendees can come together to engage in informative and thought-provoking discussions,” said Michael Lumpkin, Director of AFI Festivals. “This year, we are excited to connect Forum attendees though these online sessions and look forward to participating in the exciting conversations they inspire.”
Programming at this year’s Forum ranges from panels on the effects of the recent mass protest movements and COVID-19 on documentary filmmaking, to in-depth discussions exploring the many other aspects of our society that documentary films examine and expose, as well as sessions on the business of filmmaking.
The full AFI DOCS Forum schedule and tickets will be available at DOCS.AFI.com.
The 18th edition of AFI DOCS will run online June 17–21. AT&T’s continued support as Presenting Sponsor enables AFI DOCS to connect audiences, policymakers and storytellers in the heart of our national government.
Wednesday, June 17:
-Forum programming begins with “Distribution New Frontiers,” an up-to-the-minute panel discussion curated by ITVS featuring players from across the industry, moderated by ITVS Director of Distribution Jordana Meade, addressing how filmmakers can optimize their distribution strategies.
-“Micro Meetings, Session 1,” intimate, one-on-one 15-minute micro meetings, in which Forum attendees have the opportunity to connect online with a national portfolio of industry personnel, funders, public media representatives and veteran filmmakers.
Thursday, June 18:
-Winner of the 2020 Sundance U.S. Documentary Audience Award, CRIP CAMP: A DISABILITY REVOLUTION is a rare combination of personal story, cultural milestone and policy-focused documentary. Join us for this lively and highly informative demonstration and discussion of the team’s innovative, years-in-the-making Crip Camp Impact Campaign. The Campaign features innovative and creative experiences, all led virtually. These include a 16-week curated camp experience entitled “Crip Camp: The Official Virtual Experience,” a disabled creatives and activists emergency relief fund in response to the effects of the pandemic and a fellowship for emerging creatives within the disability community. Registration for the virtual camp alone reached over 7,000 globally within the first three weeks of launch. By connecting disability rights advocates with other progressive communities and empowering the next generation of activists, the Crip Camp Campaign seeks to nurture an ongoing revolution in disability rights and disability justice, and inspire a fundamental cultural transformation.
-“Micro Meetings, Session 2,” will provide the second round of intimate, one-on-one 15-minute micro meetings between attendees, filmmakers and industry personnel.
Friday, June 19:
-The Washington Post Press Freedom Partnership returns to host “A Washington Post Press Freedom Partnership Conversation With Philippine Journalist Maria Ressa And Filmmaker Ramona Diaz (A THOUSAND CUTS).” In 2018, The Washington Post announced the Press Freedom Partnership, an ongoing initiative to highlight organizations working vigilantly to promote press freedom and raise awareness of the rights of journalists worldwide. The Partnership has now grown to eight partner organizations — the Committee to Protect Journalists, International Press Institute, International Women’s Media Foundation, James W. Foley Legacy Foundation, National Press Club, One Free Press Coalition, Reporters Committee for Freedom of the Press and Reporters Without Borders. In this urgent and timely conversation, The Post’s Global Opinions writer Jason Rezaian sits down with internationally acclaimed Philippine journalist Maria Ressa, co-founder of the digital news outlet Rappler, and filmmaker Ramona Diaz, whose new film A THOUSAND CUTS profiles Ressa and documents Philippine President Rodrigo Duterte’s attempts to shut down Rappler and arrest Ressa.
-In the session “Finding Common Ground: How Local Public Televisions and Filmmakers Can Work Together In a Time of Crisis,” participants will explore the question: With the world in crisis and the economy turned on its head, how can public television stations and independent filmmakers come together and work towards creative solutions that, through the course of the COVID-19 pandemic and beyond, strengthen relationships and lead to mutually beneficial outcomes? This thought-provoking and timely panel brings together stations and filmmakers for an urgently needed conversation.
-“A Conversation With the Filmmakers and Subjects of WOMEN IN BLUE and STOCKTON ON MY MIND,” hosted by NBC News’ Meet The Press. Even before COVID-19, U.S. cities were facing intractable issues around policing, homelessness, education and economic inequality. Now, with these issues taking on paramount importance, filmmakers and subjects from two films screening at AFI DOCS 2020 – WOMEN IN BLUE and the HBO Documentary Film STOCKTON ON MY MIND – join together in a thought-provoking conversation about current events; the opportunities for, as well as the limitations of, reform; and the potential for major structural changes that could transform institutions and people’s lives in the two cities featured in the films – Minneapolis, MN, and Stockton, CA – and throughout the country.
Saturday, June 20:
-In “Behind the Documentary Waterfall: Gaining a Better Understanding of Financing Structures, Investor Agreements and Profit Sharing,” Susan Margolin and Yael Melamede of the Documentary Producers Alliance (DPA) will cover financing basics, standard investor agreements and the overall picture of profit sharing/waterfall in documentary filmmaking, de-mystifying these critically important aspects of the documentary film business.
Sunday, June 21:
-Forum programming will conclude with “Maximum Impact: When Documentary Filmmakers Team Up With Investigative Journalists.” How does a crime become a scandal? When a powerful organization like USA Gymnastics covers up a crime (in fact, dozens of crimes), the seeds of a massive scandal are planted. But not until those crimes are reported and exposed, does the true scope of the scandal come to light and the possibility exist for justice and reform. For their riveting new documentary ATHLETE A (premiering on Netflix on June 24), filmmakers Bonni Cohen and Jon Shenk shine a light on the reporters and editors of the Indianapolis Star,who first broke the scandal of USA Gymnastics and its years long coverup of the sexual assault crimes perpetrated by team physician Larry Nassar. Join us for this fascinating case study in collaboration and trust with filmmakers Cohen and Shenk, who will be joined by key subjects of the film including members of the Star investigative team and survivors who came forward to tell their stories.
About AFI DOCS
AFI DOCS is the American Film Institute’s annual documentary festival historically held in Washington, DC. Presenting the year’s best documentaries, AFI DOCS is the only festival in the U.S. dedicated to screenings and events that connect audiences, filmmakers and policy leaders in the heart of our nation’s government. The AFI DOCS advisory board includes Ken Burns, Davis Guggenheim, Chris Hegedus, Werner Herzog, Barbara Kopple, Spike Lee, Errol Morris, Stanley Nelson and Frederick Wiseman. Now in its 18th year, the festival will be held online June 17-21, 2020. Visit DOCS.AFI.com and connect on Twitter.com/AFIDOCS, Facebook.com/AFIDOCS, YouTube.com/AFI and Instagram.com/AmericanFilmInstitute.
About the American Film Institute (AFI)
Established in 1967, the American Film Institute is the nation’s non-profit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. AFI’s pioneering programs include filmmaker training at the AFI Conservatory; year-round exhibition at the AFI Silver Theatre and Cultural Center and at AFI Festivals across the nation; workshops aimed at increasing diversity in the storytelling community; honoring today’s masters through the AFI Life Achievement Award and AFI AWARDS; and scholarly efforts such as the AFI Catalog of Feature Films that uphold film history for future generations. Read about all of these programs and more at AFI.com and follow us on social media at Facebook.com/AmericanFilmInstitute, YouTube.com/AFI, Twitter.com/AmericanFilm and Instagram.com/AmericanFilmInstitute.
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About The Washington Post and Washington Post Press Freedom Partnership
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About Meet the Press with Chuck Todd
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Elizabeth Ward, AFI DOCS PR, firstname.lastname@example.org
American Film Institute: Stacy Adamski, 323.856.7759, SAdamski@AFI.com