Growing up on the Texas/Mexico border in the ‘80s, director Alfonso Gomez-Rejon’s (AFI Class of 1995) first introduction to the work of legendary cinematographer Frederick Elmes (AFI Class of 1972) was a worn-out VHS tape of BLUE VELVET. Describing Elmes’ filmmaking as “hypnotic,” Gomez-Rejon continued his initiation with other films shot by Elmes – ERASERHEAD,…