
1979: Alfred Hitchcock
7th AFI Life Achievement Award
ALFRED HITCHCOCK: LIFE ACHIEVEMENT AWARD 1979 TRIBUTE ADDRESS
When the Trustees of The American Film Institute established the Life Achievement Award in 1973, they specified that the filmmaker honored each year be chosen in terms of his total career contribution, the degree to which that contribution has fundamentally advanced the art of American film and withstood the test of time.
The AFI Trustees have voted the seventh Life Achievement Award to Alfred Hitchcock, who fulfills these qualifications superbly. During some fifty-seven years as a writer, director and producer, he has served film both memorably and uniquely. In his favorite genre, the suspense film, he has come to be regarded as a master almost without peer.
He early became known for his visual innovations, relying on his earlier training in draftsmanship. Perhaps more important was his innate sense of composition. Hitchcock has come to use the screen in a very painterly fashion. Film is a visual art, but Hitchcock is the most visual of directors.
From 1922 to 1939, he honed his gifts as writer, director or producer on thirty-three films in England. In 1940, he directed Rebecca, his first film in the United States. Starring Laurence Olivier, Joan Fontaine and Judith Anderson, the film won the Academy Award for best picture of the year. Rebecca also earned Hitchcock his first Academy Award nomination for best director.
Probably Hitchcocks most famous film is the gothic thriller, Psycho. The film features Hitchcock at his most startling pitch and at the height of his most manipulative technique. The famous shower scene in which he expeditiously disposes of the co-star, Janet Leigh, is a masterpiece of economic and powerful editing pulling the audience irresistibly into the climate of the story. No one who has seen the film can step into a shower in a strange motel without that incredible scene running through his mind.
Each year the Life Achievement Award telecast has reached a wide audience. This is one of the purposes of the Institute: to provide the public with some insight into the art of motion pictures. Focusing on the work of a single creator, we can, by example, demonstrate the enormous power of film.
Alfred Hitchcock as artist, writer, director and producer richly deserves the Life Achievement Award we give him tonight. Let it serve as a token of the admiration and respect of his audiences as well as his colleagues.
FILMOGRAPHY (as of award year)
FAMILY PLOT (1976)
Motion Picture Producer/Director
FRENZY (1972)
Motion Picture Producer/Director
TOPAZ (1969)
Motion Picture Producer/Director
MARNIE (1964)
Motion Picture Producer/Director
TORN CURTAIN (1964)
Motion Picture Producer/Director
THE BIRDS (1963)
Producer/Director
THE ALFRED HITCHCOCK HOUR (1962-76)
Television
PSYCHO (1960)
Motion Picture Producer/Director
NORTH BY NORTHWEST (1959)
Motion Picture Producer/Director
VERTIGO (1958)
Motion Picture Producer/Director
THE WRONG MAN (1957)
Motion Picture Producer/Director
ALFRED HITCHCOCK PRESENTS (1956-62)
Television
THE MAN WHO KNEW TOO MUCH (1956)
Motion Picture Producer/Director
THE TROUBLE WITH HARRY (1956)
Motion Picture Producer/Director
TO CATCH A THIEF (1955)
Motion Picture Producer/Director
DIAL M FOR MURDER (1954)
Motion Picture Screenplay/Producer/ Director
REAR WINDOW (1954)
Motion Picture Producer/Director
STRANGERS ON A TRAIN (1951)
Motion Picture Producer/Director
STAGE FRIGHT (1950)
Motion Picture Producer/Director
UNDER CAPRICORN (1949)
Motion Picture Co-Producer/Director
ROPE (1948)
Motion Picture Co-Producer/Director
THE PARADINE CASE (1947)
Motion Picture Director
NOTORIOUS (1946)
Motion Picture Producer/Director
SPELLBOUND (1945)
Motion Picture Director
ADVENTURE MALGACHE (1944)
Motion Picture Director
BON VOYAGE (1944)
Motion Picture Director
LIFEBOAT (1943)
Motion Picture Director
SHADOW OF A DOUBT (1943)
Director
SABOTEUR (1942)
Director
MR. & MRS. SMITH (1941)
Motion Picture Director
SUSPICION (1941)
Motion Picture Director
FOREIGN CORRESPONDENT (1940)
Motion Picture Director
REBECCA (1940)
Motion Picture Director
JAMAICA INN (1939)
Motion Picture Director
THE LADY VANISHES (1938)
Motion Picture Director
YOUNG AND INNOCENT (1937)
Motion Picture Director
SABOTAGE (1936)
Motion Picture Director
SECRET AGENT (1936)
Motion Picture Director
THE 39 STEPS (1935)
Motion Picture Director
THE MAN WHO KNEW TOO MUCH (1934)
Motion Picture Director
WALTZES FROM VIENNA (1933)
Motion Picture Director
LORD CAMBER'S LADIES (1932)
Motion Picture Producer
NUMBER SEVENTEEN (1932)
Motion Picture Director/Screenplay
RICH AND STRANGE (1932)
Motion Picture Director/Screenplay adaptation
THE SKIN GAME (1931)
Motion Picture Director/Screenplay
ELSTREE CALLING (1930)
Motion Picture Co-Director
BLACKMAIL (1929)
Motion Picture Director/Screenplay
HARMONY HEAVEN (1929)
Motion Picture Director
JUNO AND THE PAYCOCK (1929)
Motion Picture Director/Screenplay
MURDER (1929)
Motion Picture Director/Screenplay adaptation
THE MANXMAN (1929)
Motion Picture Director
CHAMPAGNE (1928)
Motion Picture Director
THE FARMER'S WIFE (1928)
Motion Picture Director/Screenplay
DOWNHILL (1927)
Motion Picture Director
EASY VIRTUE (1927)
Motion Picture Director
THE RING (1927)
Motion Picture Director/Screenplay
THE LODGER (1926)
Motion Picture Director/Screenplay
THE MOUNTAIN EAGLE (1926)
Motion Picture Director
THE BLACKGUARD (1925)
Motion Picture Assistant Director/Art Director/Screenplay
THE PLEASURE GARDEN (1925)
Motion Picture Director
THE PRUDE'S FALL (1925)
Motion Picture Assistant Director/Art Director/Scenario
THE PASSIONATE ADVENTURE (1924)
Motion Picture Assistant Director/Art Director/Scenario
THE WHITE SHADOW (1923)
Motion Picture Assistant Director/Art Director/Editor/ Scenario
ALWAYS TELL YOUR WIFE (1922)
Motion Picture Assistant Director
NUMBER THIRTEEN (1922)
Motion Picture Producer/Director
WOMAN TO WOMAN (1922)
Motion Picture Assistant Director/Art Director/Scenario
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