1979: Alfred Hitchcock

7th AFI Life Achievement Award


ALFRED HITCHCOCK: LIFE ACHIEVEMENT AWARD 1979 TRIBUTE ADDRESS

 

When the Trustees of The American Film Institute established the Life Achievement Award in 1973, they specified that the filmmaker honored each year be chosen in terms of his total career contribution, the degree to which that contribution has fundamentally advanced the art of American film and withstood the test of time.

The AFI Trustees have voted the seventh Life Achievement Award to Alfred Hitchcock, who fulfills these qualifications superbly. During some fifty-seven years as a writer, director and producer, he has served film both memorably and uniquely. In his favorite genre, the suspense film, he has come to be regarded as a master almost without peer.

He early became known for his visual innovations, relying on his earlier training in draftsmanship. Perhaps more important was his innate sense of composition. Hitchcock has come to use the screen in a very painterly fashion. Film is a visual art, but Hitchcock is the most visual of directors.

From 1922 to 1939, he honed his gifts as writer, director or producer on thirty-three films in England. In 1940, he directed Rebecca, his first film in the United States. Starring Laurence Olivier, Joan Fontaine and Judith Anderson, the film won the Academy Award for best picture of the year. Rebecca also earned Hitchcock his first Academy Award nomination for best director.

Probably Hitchcock’s most famous film is the gothic thriller, Psycho. The film features Hitchcock at his most startling pitch and at the height of his most manipulative technique. The famous shower scene in which he expeditiously disposes of the co-star, Janet Leigh, is a masterpiece of economic and powerful editing pulling the audience irresistibly into the climate of the story. No one who has seen the film can step into a shower in a strange motel without that incredible scene running through his mind.

Each year the Life Achievement Award telecast has reached a wide audience. This is one of the purposes of the Institute: to provide the public with some insight into the art of motion pictures. Focusing on the work of a single creator, we can, by example, demonstrate the enormous power of film.

Alfred Hitchcock as artist, writer, director and producer richly deserves the Life Achievement Award we give him tonight. Let it serve as a token of the admiration and respect of his audiences as well as his colleagues.


FILMOGRAPHY (as of award year)

  • FAMILY PLOT (1976)
    Motion Picture Producer/Director

  • FRENZY (1972)
    Motion Picture Producer/Director

  • TOPAZ (1969)
    Motion Picture Producer/Director

  • MARNIE (1964)
    Motion Picture Producer/Director

  • TORN CURTAIN (1964)
    Motion Picture Producer/Director

  • THE BIRDS (1963)
    Producer/Director

  • THE ALFRED HITCHCOCK HOUR (1962-76)
    Television

  • PSYCHO (1960)
    Motion Picture Producer/Director

  • NORTH BY NORTHWEST (1959)
    Motion Picture Producer/Director

  • VERTIGO (1958)
    Motion Picture Producer/Director

  • THE WRONG MAN (1957)
    Motion Picture Producer/Director

  • ALFRED HITCHCOCK PRESENTS (1956-62)
    Television

  • THE MAN WHO KNEW TOO MUCH (1956)
    Motion Picture Producer/Director

  • THE TROUBLE WITH HARRY (1956)
    Motion Picture Producer/Director

  • TO CATCH A THIEF (1955)
    Motion Picture Producer/Director

  • DIAL M FOR MURDER (1954)
    Motion Picture Screenplay/Producer/ Director

  • REAR WINDOW (1954)
    Motion Picture Producer/Director

  • STRANGERS ON A TRAIN (1951)
    Motion Picture Producer/Director

  • STAGE FRIGHT (1950)
    Motion Picture Producer/Director

  • UNDER CAPRICORN (1949)
    Motion Picture Co-Producer/Director

  • ROPE (1948)
    Motion Picture Co-Producer/Director

  • THE PARADINE CASE (1947)
    Motion Picture Director

  • NOTORIOUS (1946)
    Motion Picture Producer/Director

  • SPELLBOUND (1945)
    Motion Picture Director

  • ADVENTURE MALGACHE (1944)
    Motion Picture Director

  • BON VOYAGE (1944)
    Motion Picture Director

  • LIFEBOAT (1943)
    Motion Picture Director

  • SHADOW OF A DOUBT (1943)
    Director

  • SABOTEUR (1942)
    Director

  • MR. & MRS. SMITH (1941)
    Motion Picture Director

  • SUSPICION (1941)
    Motion Picture Director

  • FOREIGN CORRESPONDENT (1940)
    Motion Picture Director

  • REBECCA (1940)
    Motion Picture Director

  • JAMAICA INN (1939)
    Motion Picture Director

  • THE LADY VANISHES (1938)
    Motion Picture Director

  • YOUNG AND INNOCENT (1937)
    Motion Picture Director

  • SABOTAGE (1936)
    Motion Picture Director

  • SECRET AGENT (1936)
    Motion Picture Director

  • THE 39 STEPS (1935)
    Motion Picture Director

  • THE MAN WHO KNEW TOO MUCH (1934)
    Motion Picture Director

  • WALTZES FROM VIENNA (1933)
    Motion Picture Director

  • LORD CAMBER'S LADIES (1932)
    Motion Picture Producer

  • NUMBER SEVENTEEN (1932)
    Motion Picture Director/Screenplay

  • RICH AND STRANGE (1932)
    Motion Picture Director/Screenplay adaptation

  • THE SKIN GAME (1931)
    Motion Picture Director/Screenplay

  • ELSTREE CALLING (1930)
    Motion Picture Co-Director

  • BLACKMAIL (1929)
    Motion Picture Director/Screenplay

  • HARMONY HEAVEN (1929)
    Motion Picture Director

  • JUNO AND THE PAYCOCK (1929)
    Motion Picture Director/Screenplay

  • MURDER (1929)
    Motion Picture Director/Screenplay adaptation

  • THE MANXMAN (1929)
    Motion Picture Director

  • CHAMPAGNE (1928)
    Motion Picture Director

  • THE FARMER'S WIFE (1928)
    Motion Picture Director/Screenplay

  • DOWNHILL (1927)
    Motion Picture Director

  • EASY VIRTUE (1927)
    Motion Picture Director

  • THE RING (1927)
    Motion Picture Director/Screenplay

  • THE LODGER (1926)
    Motion Picture Director/Screenplay

  • THE MOUNTAIN EAGLE (1926)
    Motion Picture Director

  • THE BLACKGUARD (1925)
    Motion Picture Assistant Director/Art Director/Screenplay

  • THE PLEASURE GARDEN (1925)
    Motion Picture Director

  • THE PRUDE'S FALL (1925)
    Motion Picture Assistant Director/Art Director/Scenario

  • THE PASSIONATE ADVENTURE (1924)
    Motion Picture Assistant Director/Art Director/Scenario

  • THE WHITE SHADOW (1923)
    Motion Picture Assistant Director/Art Director/Editor/ Scenario

  • ALWAYS TELL YOUR WIFE (1922)
    Motion Picture Assistant Director

  • NUMBER THIRTEEN (1922)
    Motion Picture Producer/Director

  • WOMAN TO WOMAN (1922)
    Motion Picture Assistant Director/Art Director/Scenario