THE FILMS OF MILOŠ FORMAN
July 19 - September 3
The international commercial and critical success of Miloš Forman's films is a testament to his blend of passionate, personal interpretation, a remarkable ability to capture the zeitgeist, and a healthy dose of black humor. This retrospective celebrates the unique vision he has sustained over 45 years.
Based on intelligent scripts, Forman's work is characterized by a sharp anti-authoritarian spirit and a lucid, heartfelt humanism. His films maintain an intoxicating relevance to contemporary living by identifying iconic trends and events--evident both in his early features (LOVES OF A BLONDE, THE FIREMEN'S BALL), which helped jump-start the legendary Czech New Wave in the mid-1960s, and in his renegade Hollywood films from the 1970s to today (ONE FLEW OVER THE CUCKOO'S NEST, THE PEOPLE VS. LARRY FLYNT). A master of his metier from his career's inception (AUDITION, 1963), Forman developed an unmistakable style in collaboration with his longtime cinematographer, Miroslav Ondříček, that is marked by fastidious attention to set design details (exemplified by his much-admired period films of the 1980s), augmented by a rare insight into the nuances of performance.
Organized by Jytte Jensen, Curator, Department of Film, Museum of Modern Art, with the kind collaboration of The Czech Center, New York; The National Film Archive, Prague; and Irena Kovarova, independent curator and tour manager. All notes courtesy of Jytte Jensen, Museum of Modern Art.
In Person August 19: Miloš Forman at the 7:00 show of ONE FLEW OVER THE CUCKOO'S NEST
Tickets $15/$10 AFI Members Tickets on sale now!
Special thanks to the Embassy of the Czech Republic in Washington, DC, for making Mr. Forman's visit possible.
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AFI Member passes will be accepted at all screenings in the Miloš Forman Series.
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THE FIREMEN'S BALL [Hoří, má panenko]
The last film Forman made in his homeland is perhaps the finest example of the Czech New Wave's trademark combination of warm humanism and stinging social commentary. A party organized by a small-town fire department builds into comic mayhem and thinly veiled political allegory in this satire, which was banned by the Czechoslovakian government. This deceptively simple masterpiece is a sharp, lucid representation of human weakness and moral decay.
DIR/SCR Miloš |