Damjan Kozole:
Slovenia's Rising Star
Friday, July 15 through Tuesday, July 19
In 1987, after he was rejected for a third time by the Ljubljana Film Academy, 22-year-old Damjan Kozole shot a no-budget, New Wave-influenced feature in protest:
THE FATAL TELEPHONE, one of the first truly independent
films in Yugoslavian history. Since then,
Kozole has formed his own production company,
working with a troupe of distinctive actors and
setting box office records. In his films, some of the
most raffish, funky--even sordid--characters discover
their own humanity. By implication, too,
they deal with the emergence of Slovenia after the
breakup of Yugoslavia. Issues of
immigration and painful integration into Europe recur in his work,
often marked by dark humor. Join the director for the World Premiere
screening of LABOR EQUALS FREEDOM on Friday. July 15, at 8:30.
Thanks to the Slovenian Film Fund, Ministry of Foreign
Affairs of the Republic of Slovenia, EMOTIONFILM, and to Alissa Simon
and Facets Multimedia, Chicago, for making this complete retrospective
possible. (All films in Slovenian with English titles.)

Damjan Kozole In
Person* for the WORLD
PREMIERE screening of
LABOR EQUALS FREEDOM
[Delo osvobaja]
Europeanization stinks for machinist
Peter Musevski. He's out of a job,
and his wife--a classy civil servant
who's become the family breadwinner--
is starting to stay out late.
Even his frosty employment counselor
unloads her problems on him.
A tragicomic slice-of-life with terrific
central performances.
DIR/SCR
Damjan Kozole; PROD Danijel
Hocevar. Slovenia, 2005, color, 71
min. UNRATED
Plus
EUROPA
Kozole's segment from omnibus
film VISIONS OF EUROPE.
2004, 5 MIN. UNRATED

SPARE PARTS
[Rezervni deli]
In Krsko--the director's home town
and site of Slovenia's only nuclear
power plant--Aljosa Kovacic goes to
work for an ex-speedway champ
(Peter Musevski) helping to smuggle
refugees. At first he's revolted by the
human misery. But a job's a job, and
he and the chain-smoking, cancer-bedevilled
Musevski eventually become
friends. Kozole addresses a major
social problem--in 2000, police caught
36,000 illegal immigrants at the border--from an unusual angle. In
Competition at Berlin in 2003, SPARE PARTS also won Slovenia's
Best Film of the Year award.
DIR/SCR Damjan Kozole;
PROD Danijel Hocevar. Slovenia,
2003, color, 87 min. UNRATED

STEREOTYPE
[Stereotip]
Tina Gorenjak is at a
turning point. About to
hit 30, she looks back on
a decade with Max (pop
star Roberto Magnifico,
who won Slovenia's
award for Best Actor), an
artist who's always about
to make it big. But then
Slovenia is a country of
would-be artists, including
Peter Musevski's
ubiquitous, lyrical cabbie
and a theater director
who stages mock violence to get
material.
DIR Damjan Kozole; SCR
Damjan Kozole and Luka Novak;
PROD Danijel Hocevar. Slovenia,
1997, color, 90 min. UNRATED

PORNO FILM
Hefty brothel owner Primoz
Petkovsek decides to make Slovenia's
first homegrown porno film.
But window-dresser Charlie (played
by Slovenian stage director Matjaz
Latin), the man chosen to oversee
the project, gets caught up in his
"artistic vision" and discovers real
affection--even as Roberto Magnifico's
hoods move in. Grand
Prize, Best Actors, critics' and audience
awards, Slovenian Film Festival.
DIR/SCR Damjan Kozole;
PROD Danijel Hocevar. Slovenia,
2000, color, 80 min. UNRATED

THE FATAL TELEPHONE
[Usodni telefon]
Movie-buff roommates Vinci Vogue
Anzlovar and Miran Sustersic are
shooting their first film, a near random
collage, on super 8mm. Then
they decide it needs sound. One of
them talks on the phone every day
to an unknown girl. Kozole's debut
has a sweet conclusion.
DIR/SCR Damjan Kozole;
PROD Danijel Hocevar. Slovenia,
1987, b&w, 70 min. UNRATED

REMINGTON
Kozole's immensely assured second
feature. With only five days to go
in prison, punk rocker (and smuggler)
Mario Selih breaks out and
heads with his girlfriend for the
coast, looking to board a ship. The
trouble comes when they arrive too
early for passage. Cop Jozef Roposa
is on their trail--and maybe that
red Chrysler they're driving is a little
conspicuous.
DIR Damjan
Kozole; SCR Damjan Kozole and
Nebojsa Pajkic; PROD Danijel Hocevar.
Slovenia, 1988, color, 80 min.
UNRATED

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