Demy's Monde:
The World of Jacques Demy
Friday, April 29 through Thursday, May 12
Unique among directors of the French New Wave, Jacques Demy (1931-1990)
extensively explored the film musical. Even his first two (non-musical) films,
LOLA and BAY OF ANGELS, recall the genre in concrete ways, in no small part
thanks to the remarkable scores of Michel Legrand, a regular collaborator. But
it was with THE UMBRELLAS OF CHERBOURG that Demy realized his longawaited
dream: a musical where the music never stops and all the dialogue is
sung. A hit when initially released and again at its 1990s re-release by his widow,
director Agnès Varda, the Catherine Deneuve-starring pop opera won both the Cannes
Palme d'Orand an Oscar nomination for its memorable Legrand score. Followed by
THE YOUNG GIRLS OF ROCHEFORT, featuring Gene Kelly in a nod to the American musicals
of his youth, Demy's later oeuvre also includes the little seen American MODEL
SHOP and DONKEY SKIN, a groovy '70s musical take on the Cinderella story. With much
of his work now available in new 35mm prints, it's a great time to revisit the romance
and delight of the world of Jacques Demy.

THE YOUNG GIRLS OF ROCHEFORT
[Les Demoiselles de Rochefort]
The Demy/Legrand follow-up to
THE UMBRELLAS OF CHERBOURG
adds even more color,
dancing and the widescreen format
to the musical mix. In town for the
fair, George Chakiris (WEST SIDE
STORY) dances through Danielle
Darrieux's snack bar; daughters
(actual sisters Catherine Deneuve
and Françoise Dorleac) dream of
Paris; sailor-on-leave Jacques Perrin
dreams of his ideal woman; and
shop owner Michel Piccoli recalls
the woman who got away. Then
Gene Kelly drops in!
DIR/SCR
Jacques Demy; PROD Gilbert de
Goldschmidt. France, 1969, color,
scope, 125 min. In French with English
subtitles. RATED G

THE UMBRELLAS OF CHERBOURG
[Les Parapluies de Cherbourg]
In Jacques Demy's color-splashed
musical fantasy, the actual streets of
Cherbourg, on which lovers Catherine
Deneuve and Nino Castellnuovo
meet, are transformed into the most
ethereal of creations; while every line
of dialogue, from mundane car
mechanics' jargon to the transcendence
of the young amants' impassioned
vows, is sung to Michel
Legrand's now-classic score. Winner
Best Film and Actress, Cannes Film
Festival.
DIR/SCR Jacques Demy;
PROD Mag Bodard. France, 1964,
color, 87 min. In French with English
subtitles. UNRATED

LOLA
Demy's first feature, in many ways,
his songless rehearsal for THE
UMBRELLAS OF CHERBOURG. A
man in a Stetson drives his American
convertible along the waterfront, and
a sailor wanders into a cabaret. Then
the meetings, linkups and unknowing
near misses begin in this fablelike
tale of cabaret singer Anouk
Aimée's long wait for her lover's
return to Jacques Demy's beloved
Nantes.
DIR/SCR Jacques Demy;
PROD Carlo Ponti and Georges de
Beauregard. France, 1961, b&w,
scope, 90 min. In French with English
subtitles. UNRATED

BAY OF ANGELS
[La Baie des anges]
Uptight Claude Mann's vacation gets
diverted to Nice's Bay of Angels and
a casino seat next to a blonde Jeanne
Moreau. As Mann and Moreau conjoin
at the hip to rollercoaster from
scrounging for change to living it up
(hotel suites, cars, haute couture) and
back again, it seems life itself is just
a game of chance for Moreau.
DIR/SCR Jacques Demy; PROD Paul-
Edmond Decharme (uncredited).
France, 1963, b&w, scope, 79 min. In
French with English subtitles.
UNRATED

MODEL SHOP
Disaffected architect Gary Lockwood
pursues mysterious Anouk Aimée in
Demy's only American film. Notable
both as an outsider's look at America
(ˆ la Antonioni's ZABRISKIE POINT),
and a priceless time capsule of the
fashion, sights and sounds of late
1960s Los Angeles (including the
psych-rock sounds of Spirit!). Rumor
has it Harrison Ford was Demy's
first choice for the male lead but was
rejected by the studio as lacking
commercial appeal.
DIR/SCR/PROD
Jacques Demy. France/US, 1969, color,
85 min. RATED M

DONKEY SKIN [Peau d'âne]
Demy's most over-the-top stylization, adapted from a 17th century fable,
features picture-book costumes, color-coded servants, rampant anachronisms
and a third Legrand score, now in a new stereo track from
Legrand's original recordings. In
a fairy tale kingdom, monarch
Jean Marais (Cocteau's BEAUTY
AND THE BEAST) agrees to
queen Catherine Deneuve's last
request: his remarriage will only
be to someone more beautiful.
But only their daughter (also
Deneuve) fits the bill! However,
fairy godmother Delphine Seyrig
(LAST YEAR AT MARIENBAD)
hides Deneuve disguised as
filthy scullery maid Donkey
Skin. And only a prince can see
beneath the hide.
DIR/SCR
Jacques Demy; PROD Mag
Bodard. France, 1970, color, 100
min. In French with English
titles. UNRATED

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