AFI Catalog of Feature Films
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Souls at Sea
Director: Henry Hathaway (Dir)
Release Date:   3 Sep 1937
Production Date:   began early Nov 1936
Duration (in mins):   90 or 92-93
Duration (in reels):   10
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Cast:   Gary Cooper ([Michael] "Nuggin" Taylor)  
    George Raft (Powdah)  
    Frances Dee (Margaret Tarryton)  
    Henry Wilcoxon (Lieut. [Stanley] Tarryton)  
    Harry Carey (Captain of "William Brown")  
    Olympe Bradna (Babsie)  
    Robert Cummings (George Martin)  
    Porter Hall (Court prosecutor)  
    George Zucco ([Barton] Woodley)  
    Virginia Weidler (Tina)  
    Joseph Schildkraut (Gaston de Bastonet)  
    Gilbert Emery (Capt. Martisel)  
    Lucien Littlefield (Toymaker)  
    Paul Fix (Violinist)  
    Tully Marshall (Pecora)  
    Monte Blue (Mate)  
    Stanley Fields (Granley)  
    Fay Holden (Mrs. Martin)  
    Jameson Thomas (Pelton)  
    Cecil Cunningham (Lady Tarrington)  
    Grace Hampton (Old lady knitter)  
    Colin Tapley (Donaldson)  
    Clyde Cook (Hendry)  
    Luana Walters (Eloise)  
    Stanley Andrews (First mate)  
    George Lloyd (Slaver)  
    G. Pat Collins (Slaver)  
    Mathew Betz (Slaver)  
    Francis Ford (Slaver)  
    Rollo Lloyd (Parchy)  
    Wilson Benge (Doctor)  
    Colin Kenny (Military guard)  
    Craufurd Kent (Navy clerk)  
    Robert Warwick (Vice Admiral)  
    John Elliott (Dignitary)  
    J. M. Sullivan (Dignitary)  
    Allan Cavan (Dignitary)  
    Phillips Smalley (Dignitary)  
    Lionel Braham (Lord Mayor)  
    Gloria Williams (Passenger)  
    Ethel Clayton (Passenger)  
    Phyllis Godfrey (Housemaid)  
    Frank Benson (Gardener)  
    David Clyde (Butler)  
    Mary Gordon (Cook)  
    Herbert Clifton (Ticket clerk)  
    Carlyle O'Rourke (Puppeteer)  
    Paul Walton (Puppeteer)  
    Rolfe Sedan (Friend of de Bastonet)  
    Eugene Borden (Friend of de Bastonet)  
    George Andre Beranger (Henri)  
    Lee Shumway (Mate)  
    Ward Bond (Sailor)  
    Viva Tattersall (Queen Victoria)  
    Arthur Blake (Prime minister)  
    Harvey Clark (Court clerk)  
    Forbes Murray (Associate justice)  
    Davison Clark (Bailiff)  
    Charles Middleton (Jury foreman)  
    Olaf Hytten (Proprietor)  
    Belle Mitchell (Fortune teller)  
    Henry Mowbray (Bus man)  
    Gunnis Davis (Barber)  
    Forrester Harvey (Pub proprietor)  
    Jane Weir (Barmaid)  
    Lina Basquette (Brunette)  
    Pauline Haddon (Blonde)  
    Lowell Drew (Jury foreman)  
    William Stack (Judge)  
    Paul Stanton (Defense attorney)  
    Leslie Francis (Woolsey's secretary)  
    George MacQuarrie (Doctor)  
    Edward Van Sloan (Ship's officer)  
    Ben Taggart (Ship's officer)  
    Norman Ainsley (Ticket taker)  
    Alonzo Price    
    Lee Phelps    
    Ted Oliver    
    Dick Rich    
    Bob McKenzie    
    Jane Keckley    
    Earl Pingree    
    Marty Faust    
    Fritzi Brunette    
    Margaret Daggett    
    Betty Lorraine    
    Erin La Bissoniere    
    Virginia Kami    
    Lillian Dean    
    Don Rowan    
    Agnes Ayres    
    Beth Hartman    
    Peggy Montgomery    

Summary: In 1842 in Philadelphia, sailor Michael "Nuggin" Taylor faces trial on allegations that he caused the deaths of nineteen people from the ship William Brown . His trial is witnessed by Barton Woodley, a British secret service agent who intends to come to Michael's defense if the verdict should find against him. In court Michael's story is told: When slaves attack Granley, a renowned slaver and the brutal captain of the Blackbird , his dying command is that seaman Powdah captain the vessel and Michael, a passionate abolitionist and friend of Powdah, keep the ship on course to meet with the slave traders. Michael advises Powdah to steer the ship toward a British patrol vessel in order to keep tabs on them, and along the way, they release the slaves onto the coast. The patrol ship captures the Blackbird , and when Michael and Powdah refuse to reveal what happened to the slaves, they are hanged by their thumbs from the halyard. While they are hanging, Powdah confesses to Michael that although he is a seaman, he is afraid of the water, and is now afraid he will fall into the ocean. In order to save his friend, Michael tells his captors, including Lieutenant Stanley Tarryton, that they will confess. Later, Powdah tries to protect Michael by telling them that although he has worked slaving ships for years, Michael only recently came aboard and did not realize it was a slave ship. The captain is suspicious that the Blackbird was caught so easily and suspects that Michael deliberately steered toward them so they would be captured. In Liverpool, Michael and Powdah are acquitted for their actions, and Woodley, who is out to end slavery, takes an interest in Michael, as every ship Michael has worked on has encountered trouble and has seen the release of its slaves. Unknown to Powdah, Woodley enlists Michael to work for British intelligence and entrap the ring of slavers. At the same time, Tarryton meets with his business partner, Pecora, and they plan to take on Granley's established slave trading route. In order to do this, they immediately purchase the ship William Brown , which is departing the next morning for Philadelphia and Savannah, Georgia, and is considered the fastest packet on the seas. Michael also boards the William Brown at dawn carrying Granley's secret plans, and is met on board by Powdah. Tarryton is suspicious of Michael and is especially hostile when Michael falls in love with his sister Margaret. When Tina, the young daughter of immigrants traveling to the United States, knocks over an oil lamp below deck, a fire breaks out and ignites gunpowder, causing massive explosions. Michael struggles with Tarryton for the plans and knocks Tarryton out. The rest of the ship catches fire, and Powdah finds his girl friend, Babsie, with whom he had only just fallen in love, pinned under a fallen beam just before she dies. As Michael helps people into a lifeboat, Tarryton attacks him, but drowns after they struggle in the water. Bereft, Powdah stays on board to be with Babsie as the ship sinks, and knocks Michael into the lifeboat so he will not stop him. A mast falls into the lifeboat, and when Michael revives, he urges his fellow survivors to hang onto the edges of the boat so that it will not founder. Unfortunately, the boat is overcrowded, and the desperate people are causing it to sink. Michael shoots several people, who fall into the ocean to their death, in order to save the lives of the others. At the trial, Michael clearly feels remorse for the actions he was forced to take, and refuses to defend himself against accusations that he is a slaver. After a violent argument erupts in the courtroom when several of the survivors deny the accusations against Michael, the courtroom is cleared. Woodley suddenly appears to defend Michael and reveals enough evidence in Michael's favor to change the court's initial decision of guilty and call for a retrial. Michael and Margaret then reunite. 

Production Company: Paramount Pictures, Inc.  
Distribution Company: Paramount Pictures, Inc.  
Director: Henry Hathaway (Dir)
  Hal Walker (Asst dir)
Producer: Adolph Zukor (Pres)
  William LeBaron (Exec prod)
Writer: Grover Jones (Scr)
  Dale Van Every (Scr)
  Ted Lesser (Story)
  Richard Talmadge (Contr spec seq)
Photography: Charles Lang Jr. (Photog)
  Merritt Gerstad (Photog)
Art Direction: Hans Dreier (Art dir)
  Roland Anderson (Art dir)
Film Editor: Ellsworth Hoagland (Ed)
Set Decoration: A. E. Freudeman (Int dec)
Costumes: Edith Head (Cost)
Music: Boris Morros (Mus dir)
  W. Franke Harling (Orig mus)
  Milan Roder (Orig mus)
  Bernard Kaun (Orig mus)
  John Leipold (Orchestrations)
Sound: Harry Mills (Sd rec)
  John Cope (Sd rec)
Special Effects: Gordon Jennings (Spec photog eff)
Country: United States

Songs: "Susie Sapple" and "Hang Boys Hang," words and music by Ralph Rainger and Leo Robin.
Composer: Ralph Rainger
  Leo Robin

Copyright Claimant Copyright Date Copyright Number Passed By NBR:
Paramount Pictures, Inc. 3/9/1937 dd/mm/yyyy LP7396 Yes

PCA NO: 3029
Physical Properties: b&w:
  Sd: Western Electric Mirrophonic Recording

 
Genre: Adventure
 
Subjects (Major): Abolitionists
  Sailors
  Self-sacrifice
  Slave traders
  Trials
  United States--History--19th century
 
Subjects (Minor): African Americans
  Drowning
  Explosions
  Fires
  Great Britain. Intelligence Service
  Great Britain. Navy
  Lawyers
  Philadelphia (PA)
  Romance
  Sea rescues
  Secret documents
  Ships

Note: An opening prologue states that the "story was inspired by a trial for mass murder on the high seas [which] a century ago made legal and maritime history." According to the pressbook, the trial is recorded in the Philadelphia Public Ledger and is based on an incident that occurred on 19 Apr 1841 when the William Brown struck an iceberg and capsized. After crew and passengers got into the two available lifeboats, leaving thirty-one aboard the ship to drown, "seaman Alexander William Holmes assumed command and dumped excess [persons] overboard." A HR news item noted that Jo Swerling was to write "epilog scenes" for this film. Swerling's contribution to the final film has not been determined. A news item in HR noted that Frances Farmer was considered for the lead role. Additional news items in HR reveal that George Raft terminated his contract with Paramount in Nov 1936 due to a dispute over the roles he was given, including his role in Souls at Sea . Although production was scheduled to begin in late Oct, it was postponed due to the threat of a strike by the Pacific Coast Maritime workers, according to HR , and by Paramount's search for another co-star. HR noted that Lloyd Nolan was first considered, but later Anthony Quinn was selected to replace Raft. At this time, however, Raft and Paramount amended their rift, Raft's contract was renewed and he accepted the role of Powdah. Production was scheduled to resume on 21 Nov 1936.
       Press releases claimed the following about the production: Paramount constructed a special set with a huge tank of water and the quarterdeck of a ship for shipboard scenes. For further authenticity, the studio chartered sailing ships for ocean shots and dock scenes, and the square-rigger Star of Finland was used as the William Brown . Grant Leenhauts hired sailors who knew how to work a square-rigger to appear aboard ship. Some scenes were filmed off Santa Catalina Island, CA. According to modern sources, the film was originally intended to rival M-G-M's Mutiny on the Bounty and to be released as a road-show, however, the plans were scaled down, as was the film. Although an actress portraying Queen Victoria is credited in the CBCS, modern sources note that the scene of Queen Victoria's court was one of many deleted from the film before its general release in theaters. The film was nominated for the following Academy Awards: Best Assistant Director, Hal Walker; Best Interior Decorations, Hans Dreier and Roland Anderson; and Music (Best Score), Paramount Studio Music Dept., Boris Morros, head score by W. Franke Harling and Milan Roder. Also based on a similar story is the 1956 British film Seven Waves Away , known in the United States as Abandon Ship! , directed by Richard Sale and starring Tyrone Power, Mai Zetterling and Lloyd Nolan.  

Bibliographic Sources:   Date   Page
Daily Variety   6 Aug 37   p. 3.
Film Daily   10 Aug 37   p. 6.
Hollywood Reporter   28 Oct 36   p. 1.
Hollywood Reporter   30 Oct 36   p. 4.
Hollywood Reporter   9 Nov 36   p. 4.
Hollywood Reporter   14 Nov 36   p. 1, 4
Hollywood Reporter   16 Nov 36   p. 14.
Hollywood Reporter   17 Nov 36   p. 1.
Hollywood Reporter   18 Nov 36   p. 2.
Hollywood Reporter   20 Nov 36   p. 1.
Hollywood Reporter   13 Mar 37   p. 1.
Hollywood Reporter   6 Aug 37   p. 3.
Life   16 Aug 1937.   
Motion Picture Daily   7 Aug 37   p. 2.
Motion Picture Daily   10 Aug 37   pp. 1-2.
Motion Picture Herald   30 Jan 37   p. 16-17.
Motion Picture Herald   11 Jul 37   p. 19.
Motion Picture Herald   14 Aug 37   p. 58.
New York Times   10 Aug 37   p. 23.
Variety   11 Aug 37   p. 19.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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