AFI Catalog of Feature Films
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As Good As Married
Director: Edward Buzzell (Dir)
Release Date:   9 May 1937
Production Date:   8 Feb--10 Mar 1937
Duration (in mins):   73 or 76
Duration (in reels):   8
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Cast:   Doris Nolan (Sylvia Parker)  
    John Boles (Alexander Drew)  
    Walter Pidgeon (Fraser James)  
    Alan Mowbray ("Wally" Burnside)  
    Tala Birell ("Cherry" [Princess Bouladoff])  
    Katharine Alexander (Alma Burnside)  
    Mary Philips (Laura)  
    Ernest Cossart (Quinn)  
    David Oliver ("Ernie")  
    Harry Davenport (Jessup)  
    Esther Ralston (Lila Danforth)  
    Dorothea Kent ("Poochie")  
    Elsa Christian (Jean Stanford)  
    Walter Byron (Arthur Watson)  
    Rita Gould (Saleslady)  
    Harry Hayden (Auto salesman)  
    Charles Williams (Lecturer)  
    Bobby Watson (Jewelry salesman)  
    Eddie Hart (Detective)  
    Betty Tradwell (Fat lady)  
    Frances Morris (Nurse)  
    Henry Sylvester (Draftsman)  
    Tom Martin (Chauffeur)  
    Bonnie Jean Dunham (Salesgirl)  
    Harry Depp    

Summary: When prominent architect Alexander Drew learns that marriage would save him a lot of money in income taxes, beside protecting him from breech of promise suits, he proposes that his secretary, Sylvia Parker, marry him strictly as a business deal. Although she dates Fraser James, another architect, Sylvia is secretly in love with Drew, and so agrees to the arrangement. Sylvia and Drew maintain separate residences and both plan on continuing their independent lives. With this in mind, Drew arranges a weekend party in honor of Cherry, a former mistress now known as Princess Bouladoff. Sylvia is included as his hostess and invites Fraser as her guest. Drew is stunned by Sylvia's beauty when he sees her in evening dress and becomes jealous of Fraser's attentions to her. The next morning, he is mortified to learn that she drove back to town with Fraser and has left him on his own for the weekend. He then demands that she act more like his wife. She interprets this to mean she should go on a spending spree to keep up the appearances proper to a man of his status. Furious, Drew tries to break their contract, but Jessup, his lawyer, informs him that this is impossible. Sylvia agrees to a divorce, however, explaining that she never wanted anything from Drew. Jessup realizes that Drew is in love with his wife and advises him to tell her so. After a series of misunderstandings, Drew finally follows Sylvia to Coronado where he reveals his feelings and they reunite. 

Production Company: Universal Pictures Co.  
Distribution Company: Universal Pictures Co.  
Director: Edward Buzzell (Dir)
  Fred Frank (Asst dir)
  Gilbert Valle (Asst dir)
Producer: Charles R. Rogers (Exec prod)
  E. M. Asher (Assoc prod)
Writer: F. Hugh Herbert (Scr)
  Lynn Starling (Scr)
  Norman Krasna (Orig story)
  Sylvia Thalberg (Contr wrt)
  Morrie Ryskind (Contr wrt)
  Karen DeWolf (Contr wrt)
  Austin Parker (Contr wrt)
Photography: Merritt Gerstad (Photog)
Art Direction: Jack Martin Smith (Settings)
  John Harkrider (Prod des)
Film Editor: Philip Cahn (Film ed)
Costumes: Albert Nickels (Gowns)
  Vera West (Gowns)
Music: Charles Previn (Mus dir)
Sound: Charles Carrol (Sd)
  Edwin Wetzel (Sd)
Special Effects: John P. Fulton (Spec eff)
Production Misc: Nagene Searle (Scr clerk)
  Peggy Vaughn (Prod secy)
Country: United States
Language: English

Copyright Claimant Copyright Date Copyright Number
Universal Pictures Co. 3/5/1937 dd/mm/yyyy LP7114

PCA NO: 3138
Physical Properties: b&w:
  Sd: Western Electric Sound System

 
Genre: Romantic comedy
 
Subjects (Major): Architects
  Marriage of convenience
  Romance
  Secretaries
 
Subjects (Minor): Butlers
  Divorce
  Lawyers
  Love affairs
  Mistresses
  Parties
  Pre-nuptial contracts
  Royalty
  Unrequited love

Note: Associate producer E. M. Asher's surname is spelled "Ascher" in the onscreen credits. According to a HR pre-release news item, Esther Ralston replaced Donrue Leighton in the cast. 

Bibliographic Sources:   Date   Page
Daily Variety   19 Apr 37   p. 3.
Film Daily   22 Apr 37   p. 14.
Hollywood Reporter   4 Mar 37   p. 15.
Hollywood Reporter   19 Apr 37   p. 4.
Motion Picture Daily   20 Apr 37   p. 10.
Motion Picture Herald   10 Apr 37   p. 48.
Motion Picture Herald   1 May 37   p. 30.
New York Times   22 May 37   p. 19.
Variety   26 May 37   p. 14.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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