AFI Catalog of Feature Films
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A Tailor Made Man
Alternate Title: The Imposter
Director: Sam Wood (Dir)
Release Date:   28 Mar 1931
Production Date:   16 Jan--5 Feb 1931
Duration (in mins):   79-80
Duration (in reels):   9
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Cast:   William Haines (John Paul Bart)  
    Dorothy Jordan (Tanya)  
    Joseph Cawthorn (Huber)  
    Marjorie Rambeau (Kitty Dupuy)  
    William Austin ([Theodore] Jellicott)  
    Ian Keith (Doctor [Gustav] von Sonntag)  
    Hedda Hopper (Mrs. Stanlaw)  
    Hale Hamilton (Mr. Stanlaw)  
    Henry Armetta (Peter)  
    Walter Walker (Abraham Nathan)  
    Forrester Harvey ([Arthur] Pomeroy)  
    Joan Marsh (Bessie)  
    Martha Sleeper (Corrine)  

Summary: In New York, presser John Paul Bart works at Theodore Huber's tailor shop, but dreams of rubbing elbows with the people whose expensive clothes he presses. Not known for his diligence or hard work, the snobbish John would rather keep abreast of local society news than toil in Huber's shop. One day, while pressing a suit for customer Theodore Jellicott, John learns that the suit will be worn to a ritzy party at the home of the wealthy Stanlaws, where Jellicott expects to meet Abraham Nathan, head of the Nathan Company, in the hope that the gentleman will remember that he saved his life many years earlier. John immediately realizes that by wearing Jellicott's suit he can get into the Stanlaw party, so he decides to impersonate Jellicott and curry Nathan's favor himself. At the party, John becomes an instant hit with the wealthy guests and convinces Nathan that it was he who saved his life. When the befuddled Jellicott arrives he fails to recognize his own suit on John. After engaging Nathan in a conversation about the economy, John and he become fast friends, and Nathan offers John a job at his company. Later, John returns to the shop and tells Huber's daughter Tanya that he has been hired by Nathan. Although Tanya is engaged to Dr. Gustav Von Sonntag, an intellectual, she and John are secret lovers. When Huber discovers John in Jellicott's suit, he concludes that he is either a gentleman thief or a gangster, and fires him. Soon after starting at the Nathan Company, John learns that the business is going under, and decides to take matters into his own hands. Unknown to Nathan, John calls an employee meeting, in which he gives a speech designed to restore optimism and pride in the company. Nathan and his board of directors listen nervously as John introduces his "Nathan Plan" and turns the crowd of angry employees into cheering workers by guaranteeing their jobs and promising raises. John does not win the support of Nathan and the board of directors, however, and he loses his job. Tanya visits John to show her support for him, but Sonntag follows her and tells John that he will expose him as a fraud. As a result, John makes a public confession and returns to Huber's to take his place at the pressing machine. When Nathan shows up at Huber's to tell John that his "Nathan Plan" saved his company from disaster, and that he will be hired back at twice his original salary, Huber changes his opinion John and allows his daughter to marry him. 

Production Company: Metro-Goldwyn-Mayer Corp. (Loew's, Inc.)
Production Text: A Sam Wood Production
Distribution Company: Metro-Goldwyn-Mayer Distributing Corp.  
Director: Sam Wood (Dir)
Producer: Harry Rapf (Prod)
  Hunt Stromberg (Supv)
Writer: Edgar Allan Woolf (Dial cont)
Photography: Alfred Gilks (Photog)
Art Direction: Cedric Gibbons (Art dir)
Film Editor: George Hively (Film ed)
Costumes: René Hubert (Ward)
Sound: Douglas Shearer (Rec dir)
Country: United States

Source Text: Based on the Hungarian play A Szerencse Fia by Gábor Drégely (Budapest, 1908).
Authors: Gábor Drégely

Copyright Claimant Copyright Date Copyright Number Passed By NBR:
Metro-Goldwyn-Mayer Distributing Corp. 26/3/1931 dd/mm/yyyy LP2089 Yes

Physical Properties: b&w:
  Sd: Western Electric Sound System

 
Genre: Comedy-drama
Sub-Genre: Society
 
Subjects (Major): Confidence games
  Employer-employee relations
  Impersonation and imposture
  Social climbers
  Tailors
  Tycoons
 
Subjects (Minor): The Depression, 1929
  Engagements
  Fathers and daughters
  French Americans
  German Americans
  Intellectuals
  Marriage
  Parties
  Rallies
  Reporters
  Romantic rivalry

Note: An English language version of Gábor Drégely's play, entitled A Tailor-Made Man , opened in New York on 27 Aug 1917. A Jan 1931 MPH news item refers to this film as The Imposter . Another version of the play, filmed by United Artists in 1922, was directed by Joseph De Grasse and starred Charles Ray and Thomas Ricketts (see AFI Catalog of Feature Films, 1921-30; F2.5515). 

Bibliographic Sources:   Date   Page
Film Daily   26 Apr 31   p. 10.
Motion Picture Herald   24 Jan 31   p. 18.
Motion Picture Herald   7 Mar 31   p. 59.
New York Times   25 Apr 31   p. 23.
Variety   29 Apr 31   p. 37.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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