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Abbott and Costello Go to Mars
Director: Charles Lamont (Dir)
Release Date:   Apr 1953
Production Date:   31 Jul--late Aug 1952
Duration (in mins):   76-77
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Cast:   Bud Abbott (Lester)  
    Lou Costello (Orville)  
    Mari Blanchard (Allura)  
    Robert Paige (Dr. Wilson)  
    Horace McMahon (Mugsy)  
    Martha Hyer (Janie)  
    Jack Kruschen (Harry)  
    Joe Kirk (Dr. Orvilla)  
    Jean Willes (Captain)  
    Anita Ekberg (Guard)  
    James Flavin (First policeman in bank)  
  and the Miss Universe Beauties Jackie Loughery (Guard "Miss USA")  
    Ruth Hampton (Handmaiden "Miss New Jersey")  
    Valerie Jackson (Handmaiden "Miss Montana")  
    Renate Huy (Handmaiden "Miss Germany")  
    Jeanne Thompson (Handmaiden "Miss Louisiana")  
    Jeri Miller (Guard "Miss Welcome to Long Beach")  
    Judy Hatula (Guard "Miss Michigan")  
    Elza Edsman (Handmaiden "Miss Hawaii")  
    Harold Goodwin (Dr. Coleman)  
    Hal Forrest (Dr. Nedring)  
    Jack Tesler (Dr. Holtz)  
    Syd Saylor (Man at fountain)  
    Russ Conway (Second policeman in bank)  
    Paul Newlan (Traffic cop)  
    Tim Graham (Cashier)  
    Douglas Henderson (Announcer)  
    Milton Bronson (Announcer)  
    Grace Lenard (French girl in restaurant)  
    Billy Newell (Drunk)  
    Harry Lang (French waiter)  
    Stanley Waxman (New York announcer)  
    Robert Forrest (Observer)  
    Helen Noyes (Miss Pliny)  
    Dudley Dickerson (Porter)  
    Rex Lease (Police sergeant)  
    Saul Z. Martell (Jules)  
    Lester Dorr (Customer)  
    Scott Lee (Policeman)  
    Ken Christy (Policeman)  
    Dale Van Sickel (Policeman)  
    Gloria Paul (Tall girl in New York)  
    Frank Marlowe (Bartender)  
    Harold De Garro (Tall costumed cop)  
    Jack Shutta (Guard)  
    Patti McKaye (Guard)  
    Jane Easton (Javelin thrower)  
    Betty Yeaton (Contortionist)  
    Barry Curtis (Boy)  
    Harry Shearer (Boy)  
    Helen Strohm (Girl)  
    Rickey Van Dusen (Girl)  
    Stanley Blystone    
    Carl Sklover    
    Bobby Barber    
    Sally Yarnell    
    Juanita Close    
    Cora Shannon    

Summary: Orville, a bumbling orphanage groundskeeper, runs away from the local sheriff after crashing a toy plane through the post office window. After hiding in the back of a truck, he is dropped off at a secret spaceship development agency. There, handyman Lester discovers Orville staring at the rocket and delivers him to the office of head scientist Dr. Wilson. Wilson's secretary, Janie, confuses Orville for visiting aeronautics professor Dr. Orvilla and invites him to wait for his meeting with Wilson. As soon as Orvilla arrives, the two men fight over who is the real scientist, and Wilson, who easily discerns Orville's low I.Q., kindly suggests that Lester keep an eye on him until the rocket, which is set to travel to Mars, is launched. While Janie worries about Wilson's safety during the trip, Lester and Orville load supplies onto the spaceship. After a series of mishaps, they finally finish, and Wilson joins them on board to check the controls. The moment he disembarks to greet his crew, however, Orville plays with the control panel and accidentally launches the ship. A horrified Wilson races to the engineering room, where he follows the ship's progress on a video screen. Lester, desperately fiddling with the steering, flies the spaceship under the Brooklyn Bridge and through the Lincoln Tunnel. The government assumes aliens have invaded and orders the ship shot down, and when Lester hears this on the radio, he routes the rocket into space. Meanwhile, Wilson, fearing that he will look silly, refuses to reveal the truth to the government, and his assistant opines that the situation will force citizens to realize that the country needs a better air defense system. Soon, Lester and Orville touch down in New Orleans during Mardi Gras. Assuming they are on Mars, they don their space suits and are quickly frightened by a group of masked and costumed revelers. At the same time, Mugsy and Harry, escaped convicts who greatly resemble Lester and Orville, stumble across the spaceship and trade their prison uniforms for space suits. While Orville and Lester search for the Martian leader, Mugsy and Harry use Wilson's laser guns to rob the state bank and steal new clothes. When news spreads that two men dressed as astronauts have robbed the bank, Lester and Orville are forced to flee the city. They make it back to the ship, only to be hijacked by Mugsy and Harry. At Mugsy's command, they take off for Mars, not realizing that they are headed for Venus. When they touch down, the veil of smoke outside the window prompts Orville to wonder if they have landed in Los Angeles. Venus is run by a race of gorgeous women whose queen, Allura, banished all men 400 years before after discovering her king kissing a handmaiden. While exploring the planet, Orville is chased by a gigantic lapdog and stumbles onto a glen filled with bathing beauties. The women, who are eager to see men once again, capture him and bring him to Allura. Although she trusts no men, her subjects convince her to name Orville king. Soon after, Lester, Mugsy and Harry are also brought before the court, where Orville orders Lester saved and the other two imprisoned. On the way to the jail, however, Mugsy charms the guards and persuades them to stage a revolution. At court, Allura gives Orville extra-sensory perception balloons that will break every time he thinks about another woman, and within minutes, all three have popped. Disgusted, she orders him and Lester arrested, but just then, Mugsy and Harry arrive surrounded by soldiers who demand their right to a democratic vote. The women elect to save the men, until Allura shows them images of the Adonis-like men who used to live among them, after which the four mugs are voted off the planet and deposited in their spaceship. The rocket heads straight to Earth, and when it lands, the men are hailed as heroes. During the parade in their honor, Allura sends a greeting to Orville, in the form of a cosmic egg in the face. 

Production Company: Universal-International Pictures Co., Inc.  
Distribution Company: Universal Pictures Co., Inc.  
Director: Charles Lamont (Dir)
  William Holland (Asst dir)
  Gordon McLean (Asst dir)
Producer: Howard Christie (Prod)
Writer: D. D. Beauchamp (Scr)
  John Grant (Scr)
  Howard Christie (Story)
  D. D. Beauchamp (Story)
Photography: Clifford Stine (Dir of photog)
Art Direction: Alexander Golitzen (Art dir)
  Robert Boyle (Art dir)
Film Editor: Russell Schoengarth (Film ed)
Set Decoration: Russell A. Gausman (Set dec)
  Julia Heron (Set dec)
Costumes: Leah Rhodes (Cost)
Music: Joseph Gershenson (Mus dir)
Sound: Leslie I. Carey (Sd)
  Robert Pritchard (Sd)
Special Effects: David S. Horsley (Spec photog)
Make Up: Joan St. Oegger (Hairstylist)
  Bud Westmore (Makeup)
Production Misc: Jack Gertsman (Unit prod mgr)
  Lee Frederick (Scr supv)
  Milton Bronson (Dial dir)
Country: United States
Language: English

Copyright Claimant Copyright Date Copyright Number
Universal Pictures Co., Inc. 10/3/1953 dd/mm/yyyy LP2430

PCA NO: 16239
Physical Properties: Sd: Western Electric Recording
  b&w:

 
Genre: Science fiction
  Comedy
 
Subjects (Major): Amazons
  Bumblers
  Mardi Gras
  Queens
  Spaceships
  Venus (Planet)
 
Subjects (Minor): Bank robberies
  Brooklyn Bridge (New York City)
  Costumes
  Dogs
  Doubles
  Escapes
  Handymen
  Hijackers
  Jealousy
  Kings
  Laser weapons
  Liars
  Lincoln Tunnel (New York City)
  Mars (Planet)
  Mistaken identity
  New Orleans (LA)
  Orphanages
  Police
  Prison escapees
  Scientists
  Secretaries
  Women military officers

Note: According to a Sep 1952 HR news item, Universal awarded acting contracts to all eight beauty contestants cast in the film. 

Bibliographic Sources:   Date   Page
Film Daily   7 Apr 1953.   
Hollywood Reporter   31 Jul 52   p. 5.
Hollywood Reporter   29 Aug 52   p. 8.
Hollywood Reporter   1 Sep 52   p. 2.
Motion Picture Herald   21 Mar 1953.   
Variety   25 Mar 53   p. 6.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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