AFI Catalog of Feature Films
Movie Detail
Name Occurs Before Title Offscreen Credit Print Viewed By AFI
The Man in the Net
Director: Michael Curtiz (Dir)
Release Date:   Apr 1959
Production Date:   mid-Jun--early Aug 1958
Duration (in mins):   96-97
Print this page
Display Movie Summary

Cast:   Alan Ladd (John Hamilton)  
    Carolyn Jones (Linda Hamilton)  
    Diane Brewster (Vickie Carey)  
    John Lupton (Brad Carey)  
    Charles McGraw (Steve Ritter)  
    Tom Helmore (Gordon Moreland)  
    Betty Lou Holland (Roz Moreland)  
    John Alexander (Mr. Carey)  
    Edward Binns (Capt. Green)  
    Kathryn Givney (Mrs. Carey)  
    Barbara Beaird (Emily Jones)  
    Susan Gordon (Angel Jones)  
    Mike McGreevey (Buck Ritter)  
    Charles Herbert (Timmie Moreland)  
    Steven Perry (Leroy)  
    Alvin Childress (Alonzo)  
    Douglas Evans (Charles Raines)  
    Natalie Masterson (Mrs. Jones)  
    Pat Miller (State trooper)  
    Bill Cassidy (State trooper)  

Summary: In the small town of Stoneville, Connecticut, former commercial artist John Hamilton pursues his dream of becoming a successful creative artist, sketching and painting several local children, including Emily and Angel Jones, Buck Ritter, Timmie Moreland and Leroy. Having left behind a hectic position in nearby New York City to realize his ambitions and help his high-strung wife Linda combat her dependence on alcohol, John nevertheless finds himself an outsider with the townspeople. One afternoon, a bored Linda criticizes John for spending all his time with the children and complains about their sedate country life. When John reveals he has refused a job offer with a substantial salary from the Charles Raines agency in New York, Linda is furious and demands he reconsider. John reminds Linda that the stress of their lives in the city drove her to drink, but she remains inconsolable. In spite of their argument, Linda insists that John attend a party given by Brad and Vickie Carey. John reluctantly goes and although uncomfortable with the unpleasant gossip of the other guests, including Brad’s wealthy father, Mr. Carey, and Timmie’s parents, Gordon and Roz Moreland, he stays out of consideration for Vickie. Just before dinner, a drunken Linda, sporting a black eye, arrives at the Careys where she derides John as a failure and claims that he struck her during an argument over his refusal of the job offer. The guests are startled when, in explanation, John reveals that Linda has long been an alcoholic. As the Hamiltons take their leave, Vickie offers to help if she can. In the car, Linda confesses that she received the bruised eye after falling in the woods. Later at home, Linda admits that she called Raines to set up a meeting with John the next day in New York. When an angry John hesitates, Linda becomes hysterical, declaring that she and Buck’s father, policeman Steve Ritter, have been having an affair, prompting the necessity to leave Stoneville. John agrees to meet with Raines on the condition that Linda resumes seeing a psychiatrist. The next day, while John packs for his overnight trip, Linda apologizes and admits that she lied about Ritter. On the train, John runs into Brad, who is also making a business trip, and agrees to meet him later in the city for cocktails. In the city, John refuses Raines’s offer, then goes to the offices of Linda’s former doctor, Dr. Allistor, but learns he is on a long vacation. Upon returning home the next day, John is shocked to find the house and his studio in shambles and Linda missing. John then finds a typewritten note from Linda declaring she has left him, and telephones Vickie for help. Later, Gordon calls John to inform him that a suitcase with Linda’s clothes has been found at the dump. John joins Ritter and the Morelands there, but there is no sign of Linda. Ritter summons Capt. Green, who meets them at the Hamilton house to begin an investigation. Ritter and Green, aware of the revelations made at the Carey party, question John harshly and imply that he is lying about not knowing Linda’s whereabouts. When a pair of John’s pants is found with holes and stains on them, Green insists on taking them for police analysis and orders John to remain at home. Later that evening, Vickie visits John to relay the rumor spreading throughout town that he killed Linda. The next morning, young Emily delivers John’s mail and describes overhearing everyone discussing John’s guilt. Among his mail, John is puzzled to find a bill from an out-of-town hardware store for a large amount of quick-dry cement. Suspicious, John searches the house and, near the shed that houses his art studio, finds a trail of cement powder that leads to a wood pile, under which he finds a large hole cemented over. Vickie calls John to warn him that an agitated group of men from town are heading toward his home. The men arrive and begin throwing rocks at the house, calling John a murderer. Frightened, John manages to escape out of the back door just as Ritter arrives and organizes the men into search parties. Hurrying through the woods, John is spotted by Emily, who takes him to a secret cave that she and Angel have discovered. John asks Emily to tell Ritter that she loaned him her bike to ride out of town and after she leaves, Angel surprises John by calling Linda a liar. At John’s prompting, Angel reveals coming upon Linda two weeks earlier leaving an abandoned house known by everyone as “the chimney house” with a man Angel could not identify. Linda asked Angel not to tell anyone about seeing her and when the child admired a fancy gold bracelet with letters spelling out Linda’s name, the woman promised to get her one. After telling Ritter that John bicycled out of town, Emily rounds up the other children and takes them to the cave, where they all agree to help John. The next day, John asks Buck and Leroy to go with him to search his house for the bracelet Angel described, as he believes Linda's lover and murderer gave it to her. The boys accompany John to his house where each boy distracts the police guard while John finds the bracelet, along with other pieces of jewelry and an audio tape reel. Upon listening to a portion of the tape, John hears Linda addressing a man endearingly and suspects the man’s voice belongs to Gordon. Later at the cave, John asks Emily to hide the box with the jewelry and a blank tape reel at the chimney house, then attend Timmie’s birthday party, where she is to make sure Gordon sees the bracelet and tell him she found it while playing at the abandoned house. At the party, after Emily loudly shows off the bracelet, attracting the attention of all the adults, Timmie inadvertently mentions John, and Gordon forces his son to reveal John’s location. Emily tells Vickie that John wants to meet her at the chimney house, and they hasten to get John. At the chimney house, John, Vickie and Emily wait to see if Gordon will arrive to get the incriminating tape, and all are stunned when Brad appears and takes it. Meanwhile, Ritter stops Buck near the cave and demands he lead them to John. The entire group confronts John at the chimney house but he refuses to surrender until they hear the entire contents of the tape. On the tape Brad declares his love for Linda and that his father made him marry Vickie for her money to save the family business. Ritter then orders those involved to go to headquarters where, in front of Green, John accuses Brad of having help in killing the demanding Linda. Mr. Carey breaks down and admits he killed Linda for the weak, incompetent Brad and framed John. Months later, just after winning an award for his painting of the children, John picnics happily in the park with Vickie and the youngsters. 

Production Company: The Mirisch Company, Inc.  
Production Text: A Mirisch-Jaguar Company Production
Jaguar Productions, Inc.
Distribution Company: United Artists Corp.  
Director: Michael Curtiz (Dir)
  Dick Moder (Asst dir)
Producer: Alan Ladd (Exec prod)
  Walter M. Mirisch (Prod)
Writer: Reginald Rose (Scr)
Photography: John Seitz (Dir of photog)
Art Direction: Hilyard Brown (Art dir)
Film Editor: Richard V. Heermance (Supv film ed)
  Harold Lavelle (Ed)
Set Decoration: Victor A. Gangelin (Set dec)
  Sam Gordon (Props)
  William Maldonado (Const supv)
  Frank Stovall (Paintings)
Costumes: Bert Henrikson (Ward)
  Irene Caine (Ward)
  Sid Mintz (Ward)
  Cluny (Miss Jones' gowns des)
Music: Hans J. Salter (Mus)
  Lloyd Young (Mus ed)
Sound: John L. Wheeler (Sd ed)
  Jack Solomon (Sd)
Special Effects: Milt Rice (Spec eff)
Make Up: Emile LaVigne (Makeup artist)
  Alice Monte (Hair styles)
Production Misc: Allen K. Wood (Prod mgr)
  Stanley Scheuer (Set cont)
Country: United States
Language: English

Source Text: Based on the novel The Man in the Net by Patrick Quentin (New York, 1956).
Authors: Patrick Quentin

Copyright Claimant Copyright Date Copyright Number
Mirisch Co., Inc. 29/4/1959 dd/mm/yyyy LP13943

PCA NO: 19163
Physical Properties: Sd: Westrex Recording System

Genre: Drama
Subjects (Major): Artists
  False accusations
Subjects (Minor): Alcoholism
  Fathers and sons
  Lure of riches
  Mental illness
  New York City
  Small town life

Note: According to the Filmfacts review, The Man in the Net was shot partially on location in Massachusetts and Connecticut. The Var and Filmfacts reviews list Harold Lavelle as the editor, but only Richard V. Heermance is listed in the onscreen credits.  

Bibliographic Sources:   Date   Page
Box Office   27 Apr 1959.   
Daily Variety   22 Apr 59   p. 3.
Filmfacts   1959   pp. 109-110.
Hollywood Reporter   20 Jun 1958   p. 9.
Hollywood Reporter   1 Aug 1958   p. 9.
Hollywood Reporter   22 Apr 59   p. 3.
Motion Picture Herald Product Digest   2 May 59   p. 244.
New York Times   11 Jun 59   p. 36.
Variety   22 Apr 59   p. 6.

Display Movie Summary
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
Advanced Search
Support our efforts to preserve hisotory of film
Help AFI Preserve Film History

© 2017 American Film Institute.
All rights reserved.
Terms of use.