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Thundering Jets
Alternate Title: Thunderjet
Director: Helmut Dantine (Dir)
Release Date:   May 1958
Production Date:   late Oct--early Nov 1957
Duration (in mins):   73
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Cast:   Rex Reason (Capt. Steve Morley)  
    Dick Foran (Lt. Col. Spalding)  
    Audrey Dalton (Susan Blair)  
    Barry Coe (Capt. Davis)  
    Buck Class (Maj. Mike Geron)  
    Robert Dix (Lt. Jimmy Erskine)  
    Lee Farr (Capt. Murphy)  
    John Douglas (Kurt Weber)  
    Robert Conrad (Lt. Bob Kiley)  
    Maudie Prickett (Mrs. Blocher)  
    Dick Monahan (1st mechanic)  
    Sid Melton (Sgt. Jimmy Stone)  
    Gregg Palmer (Capt. Cory Dexter)  
    Lionel Ames (Capt. "Andy" Anderson)  
    Bill Bradley (1st student)  
    Robert Rothwell (2nd mechanic)  
    Jimmie Smith (Long)  
    Kevin Enright (Saunders)  
    Walter Kent (Pianist)  
    Tom Walton (Vocalist)  
    Ronald Foster (Control tower sergeant)  
    Kenneth Edwards (2d student)  

Summary: At the United States Air Force Flight Test School at Edwards Air Force Base in Southern California, instructor Capt. Steve Morley glumly awaits the arrival of the new crop of students. Steve, a seasoned pilot, resents “playing nursemaid to a bunch of glory jockeys,” and has consequently requested a transfer into flight operations. The new class is comprised of Kurt Weber, a pilot who flew for Germany during World War II but is now an American citizen; the womanizing Maj. Mike Geron; class clown and show-off Capt. Murphy and Lt. Jimmy Erskine and his roommate, Lt. Bob Kiley. Erskine, who flew fighter planes in the Korean War, snubs Kurt because he is German. Later that night, Steve meets his sweetheart, Susan Blair, who works as a secretary for Lt. Col. Spalding. Still brooding about being relegated to the role of instructor, Steve treats Susan with indifference. The next day, Steve lectures his students about “staying ahead of the game,” but his words fall on deaf ears as his restless pupils want to take to the sky, not sit in class. When Steve learns that his request for a transfer has been denied, Susan warns that his negative attitude will destroy him and suggests breaking off their relationship. Disregarding Susan’s advice, Steve remains hypercritical of his students, thus earning their antagonism. As their schooling continues, Kurt befriends Kiley, who is having difficulty memorizing the myriad facts necessary to pass the course. Their friendship offends Erskine, who tells Kiley that his brother met his death in World War II at the hands of a German pilot. After Kiley flunks out of school, he tells Erskine that Kurt’s parents were killed in an air raid by American pilots and asks him to show compassion to the German. At the officers' club that night, Erskine approaches Kurt and expresses his sorrow for the loss of his parents. Mike, noticing that Susan is alone, offers to drive her home. As they approach Susan’s apartment door, Mike makes romantic overtures and she asks him to leave. After Mike departs, Steve pounds at Susan’s door, angered that she allowed Mike to drive her home. When Steve accuses Susan of improper behavior, she slaps his face and orders him to leave. After Steve is unexpectedly called out of class the next day, Murphy steps up to the blackboard and begins to draw funny, lewd pictures. When Steve reenters the room and finds Murphy at the blackboard, he berates the students. Later, Capts. Andy Anderson and Cory Dexter, Steve’s fellow flight instructors, caution Steve that he is treating his students too harshly. Frustrated, Steve again asks Spalding for a transfer, and when the colonel denies his request on the grounds that they need exceptional pilots to train the students, Steve declares that he is resigning. At the officers' club that night, Mrs. Blocher, the camp gossip, tells Susan that Steve is “cracking up.” Concerned, Susan asks Mike why Steve is so disliked. Realizing that Susan is still in love with Steve, Mike seeks him out and warns him that he is throwing Susan’s love away. On a training mission the next day, Murphy shows off by buzzing an observation tower, earning a reprimand from Steve. After Murphy is expelled for his irresponsible behavior, the students, certain that Steve is responsible, ostracize him. Later, they discover that Murphy was reported by the controller in the tower and not Steve. On the day of the dangerous spin-test maneuver, Erskine and Kurt perform flawlessly. Steve then takes Mike up, but after the aircraft’s engine flames out, Mike passes out, sending the plane spinning dangerously out of control. On the ground, the students and flight crew gear up for a crash, but in the plane, Steve seizes the controls and lands the aircraft safely. Afterward, Mike, aware that Steve could have bailed out of the plane and left him to die, thanks him for saving his life. When Steve returns to the base, Susan tells him that she is proud of him. Five days before graduation, Steve’s students disrupt class to drag him to a surprise party in his honor. After the group toasts Steve, he and Susan reconcile. At the graduation ceremony, as Steve’s students man their planes, he takes his hat off to them. 

Production Company: Regal Films, Inc.  
Distribution Company: Twentieth Century-Fox Film Corp.  
Director: Helmut Dantine (Dir)
  H. E. Mendelson (Asst dir)
  Jack McEdwards (Asst dir)
Producer: Jack Leewood (Prod)
  Helmut Dantine (Assoc prod)
Writer: John Landis (Wrt)
Photography: John M. Nickolaus Jr. (Dir of photog)
  Kay Norton (Aerial photog)
Art Direction: John Mansbridge (Art dir)
Film Editor: Frank Baldridge (Supv ed)
Set Decoration: Walter M. Scott (Set dec)
  Maurice Mulcahy (Set dec)
  William F. Sittel Jr. (Prop master)
Costumes: Clark Ross (Ward)
Music: Irving Gertz (Mus comp and cond)
Sound: Donald McKay (Sd)
  Harry M. Leonard (Sd)
Make Up: Thomas Tuttle (Makeup)
  Eve Newing (Hairstylist)
Production Misc: Herb Mendelson (Prod mgr)
  Capt. Harold J. Eberle U.S.A.F. (Tech adv)
  May Wale (Scr supv)
  Jack Thomas (Dial coach)
Country: United States
Language: English

Music:
Songs: "Blast Off," words and music by Walter Kent and Tom Walton; "Air Force Blue," words and music by Marilyn and Alan Scott and Keith Textor.
Composer: Walter Kent
  Alan Scott
  Marilyn Scott
  Keith Textor
  Tom Walton
Source Text:

Copyright Claimant Copyright Date Copyright Number
Twentieth Century-Fox Film Corp. 19/3/1958 dd/mm/yyyy LP10846

Physical Properties: Sd: RCA Sound Recording
  b&w:
  Widescreen/ratio: RegalScope

 
Genre: Drama
Sub-Genre: Military
 
Subjects (Major): Air pilots
  Aviation instructors
  Edwards Air Force Base (CA)
  Flight training
 
Subjects (Minor): Expulsion
  Personality change
  Romantic rivalry
  Secretaries
  United States. Air Force

Note: The working title of this film was Thunderjet . The film closes with the following written acknowledgment: "In this supersonic age of space and thundering jets there can be no end only the beginning. We gratefully dedicate this picture to the airmen and officers of the United States Air Force who are devoting their lives to the survival of our way of life." The closing onscreen credits state that the picture was "filmed at Edwards Air Force Base, California and Hollywood, U.S.A." The onscreen opening cast credits add "The Men of the United States Air Force" to the cast. Although a HR production chart and an Oct 1957 HR news item place Willard Parker, Kendall Scott and Dolores Michaels in the cast, their appearance in the released film has not been confirmed. Although several reviews credit both Bernard Hurlen and Donald McKay with sound, the onscreen credits list McKay and Harry M. Leonard; Hurlen's contribution to the released film has not been determined.
 

Bibliographic Sources:   Date   Page
Box Office   21 Apr 1958.   
Daily Variety   11 Apr 58   p. 3.
Film Daily   18 Apr 58   p. 6.
Hollywood Reporter   11 Oct 1957   p. 2.
Hollywood Reporter   18 Oct 1957   p. 11.
Hollywood Reporter   1 Nov 1957   p. 11.
Hollywood Reporter   11 Apr 58   p. 3.
Motion Picture Herald Product Digest   28 Jun 58   p. 889.
Variety   16 Apr 58   p. 6.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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