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The Gun Runners
Alternate Title: One Trip Across
Director: Donald Siegel (Dir)
Release Date:   15 Sep 1958
Production Date:   28 Jan--late Feb 1958
Duration (in mins):   83
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Cast:   Audie Murphy (Sam Martin)  
    Eddie Albert ("Papa" Hanagan)  
    Patricia Owens (Lucy Martin)  
    Everett Sloane (Harvey)  
    Richard Jaeckel (Buzurki)  
    Paul Birch (Sy Phillips)  
    Jack Elam (Arnold)  
    John Qualen (Pop)  
    Edward Colmans (Juan)  
    Steven Peck (Pepito)  
    Carl Rogers (Carlos Contreras)  
  Introducing Gita Hall (Eva)  
    John Harding (Peterson)  
    Peggy Maley (Blonde in bar)  
    Lita Leon (Pepita)  
    Ted Jacques (Commander Walsh)  
    Freddie Roberto (Berenguer)  

Summary: On Key West, Florida, former naval officer Sam Martin ekes out a living chartering his cabin cruiser to tourists. One morning Sam and his first mate Harvey are stopped by Cuban revolutionary sympathizers Carlos Contreras and his partner Juan, who ask to hire Sam’s boat. Wary of becoming involved with the nearby political unrest, Sam refuses. Sam and Harvey then take tourist Mr. Peterson out fishing, and he loses the expensive tackle at sea. Later, Peterson grudgingly promises to pay Sam his near thousand-dollar, ten-day debt in full that evening. At Freddy’s bar, Sam assures the easy-going bartender he will finally pay his long-overdue bill. Gas station owner Arnold finds Sam at the bar and demands payment for three months of gas for the boat and agrees to meet Sam at Peterson’s hotel that night. Sam then stops at home to see his wife Lucy and she reminds him about back payments on the boat to lender Sy Phillips. That evening, when Sam meets Harvey and Arnold at the hotel, he sees Peterson being taken to jail for passing bad checks. Dismayed, Sam visits Pop’s pawnshop, where he hocks a clock for twenty dollars, then takes the money to the small illegal gambling parlor behind Pop’s shop. Sy attempts to talk Sam out of gambling, but Sam refuses and promptly loses. Nearby, jovial gambler “Papa” Hanagan, overhears Sy and Sam discussing the money owed on the boat. The next morning, Hanagan and his Swedish girl friend Eva meet Sam on the pier and hire him for a day trip. Once at sea, Hanagan asks Sam to stop in Havana, but Sam declines, explaining that the ongoing revolution makes Cuba legally off-limits. Nevertheless, Hanagan pressures Sam to drop them off on the Cuban coast, just outside Havana. Sam demands a large extra sum for the arrangement and is surprised when Hanagan agrees. That night, when Hanagan and Eva miss their scheduled pick-up time, Sam anxiously slips into Havana to look for them and finds Eva at a bar. Sam insists on being paid and Eva asks him why he is not curious about where Hanagan gets his money. Sam agrees to return to the boat and wait for the couple. Meanwhile, in a small room above the club, Hanagan and several Cuban revolutionaries negotiate a gun shipment promised by Hanagan. On the way back to the boat, Hanagan kills a policeman who refuses to be bribed, then kills the cab driver once they arrive at the boat. Sam is suspicious of Hanagan’s activities, and at sea carefully avoids the Coast Guard patrol boat. Back at Key West, Sam pays Freddy and Arnold before being summoned by Commander Walsh, the head of the Coast Guard, who has already questioned Harvey. Sam denies having gone to Cuba, then is stunned to hear of the two murders. At home, Sam tells Lucy the prior night’s activities and she assures him that he is not responsible for the killings. Later, Eva visits Sam to rehire him, but he refuses. Eva reveals that Hanagan has purchased the boat from Sy and Sam is outraged. When a policeman stops by with Hanagan’s ownership papers and the request for the boat’s keys, Sam frantically goes to Pop to ask for two thousand dollars to buy back the boat, but Pop regretfully refuses. Sam worries about having to deal with Hanagan, but Lucy agrees that it is the only way to get back the boat. The next day, Hanagan tells Sam that he will receive the boat plus a large bonus for a three-day trip to the other side of Key West and a Cuban coastal spot. Sam returns home to tell Lucy of the plan, but rouses Harvey’s suspicions when he attempts to send him away for equipment. Harvey secretly stows away on the boat, where Sam later hides a machine gun in the hold before Hanagan and Carlos arrive. On the far side of the island, the group picks up two more men, including Hanagan’s anxious partner Buzurki, with two large boxes of rifles. Carlos alone knows their destination of Ibarra, Cuba and gives Sam the route. Later Carlos goes down to inspect the rifles and is furious to find the boxes full of rocks. When he protests, Buzurki shoots him and Hanagan orders Sam to continue to Ibarra. Harvey appears from the hatch at that moment in an attempt to save Sam, but is quickly overpowered. When Hanagan wants to shoot Harvey, Sam points out that if Hanagan kills Harvey he must also kill Sam, who is the only one who can pilot the boat. Hanagan then forces Harvey back into the hatch and the journey continues. Near Ibarra, Sam fakes engine trouble, but when he opens the engine hatch discovers that Hanagan has already found the machine gun. Harvey then slips overboard and swims toward shore. Buzurki and the other man shoot at Harvey, but Sam guns the engines, knocking everyone off balance, and giving him the opportunity to snatch Hanagan’s gun. Sam shoots all of the men, but is wounded by Hanagan before killing him. Harvey returns to the boat to tend to Sam’s wound and pilot the boat back to Key West where Lucy is waiting. 

Production Company: Seven Arts Productions, Inc.  
Distribution Company: United Artists Corp.  
Director: Donald Siegel (Dir)
  Willard Reineck (Asst dir)
Producer: Clarence Greene (Prod)
Writer: Daniel Mainwaring (Scr)
  Paul Monash (Scr)
Photography: Hal Mohr (Dir of photog)
Art Direction: Howard Richmond (Art dir)
Film Editor: Chester Schaeffer (Film ed)
Set Decoration: Darrell Silvera (Set dec)
  Walter Veady (Prop master)
Costumes: Bernice Pontrelli (Women's cost)
  Morrie Friedman (Men's cost)
Music: Leith Stevens (Mus)
Sound: Frank Goodwin (Sd)
  Roger Heman (Sd)
  Harry Alphin (Sd)
Make Up: Lillian Shore (Hairstylist)
  Frank Fitz-Gibbon (Makeup artist)
  Vince Romaine (Makeup artist)
Production Misc: Herbert E. Stewart (In charge of prod)
  Paul Stone (Asst to prod)
Country: United States
Language: English

Songs: "Havana Holiday," words and music by Joe Lubin and Jerome Howard.
Composer: Jerome Howard
  Joe Lubin
Source Text: Based on the short story "One Trip Across" by Ernest Hemingway ( Cosmopolitan , Apr 1934).
Authors: Ernest Hemingway

Copyright Claimant Copyright Date Copyright Number
Seven Arts Productions, Inc. 11/9/1958 dd/mm/yyyy LP12207

PCA NO: 18916
Physical Properties: Sd: Westrex Recording System

Genre: Drama
Subjects (Major): Boats
  Havana (Cuba)
Subjects (Minor): Bars
  Key West (FL)
  United States. Coast Guard

Note: Working titles for the film were One Trip Across , The Gunrunners and The Gun Runner . The story was based on an Ernest Hemingway short story published in Apr 1934, entitled "One Trip Across," that partially served as the basis for Hemingway's 1937 novel To Have and Have Not . According to a Feb 1958 DV news item, Hemingway protested the use of the title "One Trip Across" despite producer Clarence Greene's assertion that the author had not read the script. Greene insisted the property, which Warner Bros. had filmed first in 1944 as To Have and Have Not then in 1950 as The Breaking Point (see AFI Catalog of Feature Films; 1941-50 ), was part of the property sold to Howards Hughes, resold to Warner Bros. and eventually sold again to Eliot Hyman and Ray Stark, owners of Seven Arts Productions. The Gun Runners was the company's first release.
       Hemingway, at the time of The Gun Runners was released a resident of Cuba, also protested the change in plot line from rum running in Prohibition Cuba to gun running during the Cuban revolution. The film was released without further protest from Hemingway. Although a HR news item lists Joey Ray and Billy Wayne in the film, their appearance in the final film has not been confirmed. Portions of the film were shot on location in Balboa and Newport Bay, CA. 

Bibliographic Sources:   Date   Page
Box Office   22 Sep 1958.   
Daily Variety   24 Feb 1958.   
Daily Variety   15 Sep 58   p. 3.
Film Daily   15 Sep 58   p. 6.
Hollywood Reporter   28 Jan 1958   p. 11.
Hollywood Reporter   11 Feb 1958   p. 3.
Hollywood Reporter   28 Feb 1958   p. 28.
Hollywood Reporter   4 Mar 1958   p. 6.
Hollywood Reporter   15 Sep 58   p. 3.
Motion Picture Herald Product Digest   20 Sep 58   p. 984.
Variety   17 Sep 58   p. 7.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
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