AFI Catalog of Feature Films
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The Hitch-Hiker
Alternate Title: The Difference
Director: Ida Lupino (Dir)
Release Date:   21 Mar 1953
Premiere Information:   World premiere in Boston: 20 Mar 1953
Production Date:   24 Jun--late Jul 1952
Duration (in mins):   71
Duration (in feet):   6,366
Duration (in reels):   8
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Cast:   Edmond O'Brien (Roy Collins)  
    Frank Lovejoy (Gilbert Bowen)  
    William Talman (Emmett Myers)  
    Jose Torvay (Captain Alvarado)  
    Sam Hayes (Himself)  
    Wendel Niles (Himself)  
    Jean Del Val (Inspector general)  
    Clark Howat (Government agent)  
    Natividad Vacio (José)  
    Rodney Bell (William Johnson)  
    Nacho Galindo (Proprietor)  
    Martin Garralaga (Bartender)  
    Tony Roux (Gas station owner)  
    Jerry Lawrence (News broadcaster)  
    Felipe Turich (Mexican in car)  
    Rosa Turich (Mexican in car)  
    Orlando Veltran (Barker)  
    George Navarro (Barker)  
    Joe Dominguez (Man outside store)  
    June Dinneen (Waitress)  
    Al Ferrara (Gas station attendant)  
    Henry Escalante (Mexican guard)  
    Taylor Flaniken (Mexican policeman)  
    Wade Crosby (Joe, bartender)  
    Kathy Riggins (Child)  
    Gordon Barnes (Hendrickson)  
    Ed Hinton (Chief of police)  
    Larry Hudson (FBI agent)  

Summary: After two Oregon newlyweds are robbed and murdered in their car by a hitchhiker, police release a photogragh of their prime suspect, ex-convict Emmett Myers. The hitchhiker then kills and robs a salesman in central California. Soon after, two Arizona men, draughtsman Gilbert Bowen and garage owner Roy Collins, drive across the California-Mexico border on their way to a fishing vacation in Baja. Once past Mexicali, Roy and Gil offer a lift to a stranded stranger. Almost immediately, the man, Myers, pulls out a gun and forces them to stop on a side road. Myers, who freely admits his identity, confiscates Gil's rifle and ammunition, then orders them back on the highway. After warning Roy and Gil not to "get smart" like his previous victims, the excitable Myers demands to know when their wives expect them home. To keep Myers calm, Roy responds that they are not due back anytime soon. Later, while stopped for gas, Gil starts conversing in Spanish with the non-English speaking attendant, and Myers, who does not understand Spanish, flashes his gun at Gil to keep him quiet. At the next deserted side road, Myers studies a map and decides he is going to catch a ferry in Santa Rosalia, 500 miles away. Myers then shows off his shooting skills and forces Gil to fire his rifle at a tin can that Roy is holding hundreds of feet away. Gil's shot hits the can, but both men are shaken by the incident. Pushing on, the men hear a radio report about Myers, which indicates that the police do not know the killer's current whereabouts. That night, the trio sets up camp, and Myers advises Gil and Roy not to try to escape, as one of his eyelids does not close and therefore they could not know for sure if he is sleeping. The next morning, the men drive to a small town to buy provisions. Once again, Myers warns Gil not to speak Spanish to anyone, and his nervous behavior in the general store attracts the proprietor's attention. Later, over lunch, Myers brags about his toughness and accuses his hostages of being "soft." Myers then hears a radio report announcing Gil and Roy's disappearance, and during a moment alone, the hostages discuss escape plans. Soon after, on the road, the car horn starts to blare uncontrollably, and Myers orders Roy, the driver, to pull over. As Roy works under the car's hood, Myers becomes agitated when a man with a burro passes nearby. Roy fixes the horn, then later while driving, is slugged by Myers because the radio is no longer working. After Gil convinces Myers that the surrounding hills are interfering with the radio's reception, Myers calms down. At a Baja police station, meanwhile, a Mexican official tells an American agent that they have received information about the hostages and their car from the store proprietor, and both lawmen agree that Santa Rosalia is Myers' likely destination. Back on the highway, Roy's car gets a flat tire, and when a couple stops to offer Roy and Gil assistance, a hidden Myers signals to them to keep quiet, arousing the couple's suspicions. Soon after, police captain Alvarado, who has been tracking Myers, questions the couple and is directed to the spot where Roy's tire was changed. That night, Myers, who has heard a radio broadcast about the police manhunt, forces Gil and Roy to steal fuel from a gas station. While investigating at the station the next day, Alvarado discovers Gil's wedding ring, which Gil had slipped off and left. With this latest evidence, the police decide to disseminate false information about their activities over the radio. Myers, Roy and Gil, meanwhile, set up camp again, and during the night, Roy and Gil attempt to flee. Myers quickly catches them, and in the morning, takes them to a deserted mine shaft. Myers is about to force his hostages into the shaft when he hears the false police report on the car radio. Assured by the broadcast that the police are not close, Myers decides to spare Gil and Roy, but soon discovers that the car's crank shaft is ruined. Myers insists that they walk the last miles to Santa Rosalia and orders Roy, who is on the verge of a breakdown, to change clothes with him. When they finally stumble into town, Myers offers to buy his hostages beer, and in the cantina, learns that the ferry he was planning to catch has burned down. Through Gil, Myers arranges to hire a boat to take them to Guyamas that evening. Shortly before they depart, however, the bartender sees a wanted poster of Myers and notifies the police. When Myers arrives at the dock with Roy and Gil, Alvarado, who is hiding among the boats with other police officers, yells at him to freeze. Worried that the police will mistake him for the killer, Roy jumps the startled Myers and fights for his gun. During the struggle, the gun falls in the water, and Alvarado finally apprehends the correct man. While leading Myers away, Alvarado informs the relieved Americans that he will need a full report in the morning. 

Production Company: The Filmakers, Inc.  
  RKO Radio Pictures, Inc.  
Distribution Company: RKO Radio Pictures, Inc.  
Director: Ida Lupino (Dir)
  William Dorfman (Asst dir)
  Grayson Rogers (Asst dir)
  Doran Cox (Asst dir)
Producer: Collier Young (Prod)
  Christian Nyby (Assoc prod)
Writer: Collier Young (Scr)
  Ida Lupino (Scr)
  Robert Joseph (Adpt)
Photography: Nicholas Musuraca (Dir of photog)
Art Direction: Albert S. D'Agostino (Art dir)
  Walter E. Keller (Art dir)
Film Editor: Douglas Stewart (Film ed)
Set Decoration: Darrell Silvera (Set dec)
  Harley Miller (Set dec)
Music: C. Bakaleinikoff (Mus dir)
  Leith Stevens (Mus)
Sound: Roy Meadows (Sd)
  Clem Portman (Sd)
Special Effects: Harold E. Wellman (Photog eff)
Make Up: Mel Berns (Makeup artist)
Production Misc: James Anderson (Asst to prod)
  Robert Eggenweiler (Asst to prod)
  Lew Jarrad (Scr clerk)
Country: United States
Language: English

Copyright Claimant Copyright Date Copyright Number
RKO Radio Pictures, Inc. 13/3/1953 dd/mm/yyyy LP2463

PCA NO: 15999
Physical Properties: Sd: RCA Sound System
  b&w:

 
Genre: Drama
  Drama
Sub-Genre: Road
  Suspense
 
Subjects (Major): Baja California (Mexico)
  Hostages
  Murder
  Police
  Psychopaths
  Roads
 
Subjects (Minor): Americans in foreign countries
  Automobiles
  Bartenders
  California
  Cantinas
  Docks
  Escapes
  Eyes
  Firearms
  Gas stations
  General stores
  Government agents
  Hitchhiking
  Mexicali (Mexico)
  Mistaken identity
  Radio broadcasting
  Rings
  Robbery
  Santa Rosalia (Mexico)
  Vacations

Note: The working titles of this film were The Difference and The Persuader . Prior to the opening credits, the following written statement appears onscreen: "This is the true story of a man and a gun and a car. The gun belonged to the man. The car might have been yours--or that young couple across the aisle. What you will see in the next seventy minutes could have happened to you. For the facts are actual." Although the story was not based on a specific event, reviewers commented on the timeliness of the film's subject matter. The opening credits are superimposed over footage depicting the murder of the newlyweds by the hitchhiker. According to a 19 Jun 1952 HR news item, exterior shooting took place in Big Pine, CA.
       The following actors were announced as cast members in HR : Elizabeth Fraser, Gordon Armitage, Ben Bancroft, Louis Hart, Robert Forrest, Beverly Thompson and Judy Connard. Their appearance in the final film has not been confirmed. HR production charts list Virginia Huston in the cast, but she did not appear in the final film. According to an Apr 1953 DV news item, an editorial in the Hobo News condemned the picture as a threat to the existence of "highway nomads" and urged its readers to stop the film's release. Another Apr 1953 DV item reported that RKO had received protest letters from hitchhikers complaining about the picture's ad campaign, which included such lines as "Have you ever picked up a hitch-hiker--We guarantee you won't ever after seeing this picture." Despite the protest, RKO did not change its advertisements. 

Bibliographic Sources:   Date   Page
Box Office   17 Jan 1953.   
Daily Variety   14 Jan 53   p. 3.
Daily Variety   17 Apr 53   p. 8.
Daily Variety   23 Apr 1953.   
Film Daily   21 Jan 53   p. 10.
Hollywood Reporter   19 Jun 52   p. 1.
Hollywood Reporter   24 Jun 52   p. 6.
Hollywood Reporter   27 Jun 52   p. 7, 11.
Hollywood Reporter   30 Jun 52   p. 5.
Hollywood Reporter   2 Jul 52   p. 5.
Hollywood Reporter   17 Jul 52   pp. 8-9.
Hollywood Reporter   21 Jul 52   p. 6.
Hollywood Reporter   17 Nov 52   p. 4.
Hollywood Reporter   14 Jan 53   p. 4.
Hollywood Reporter   18 Mar 53   p. 3.
Motion Picture Herald Product Digest   17 Jan 53   p. 1686.
New York Times   30 Apr 53   p. 39.
Time   6 Apr 1953.   
Variety   21 Jan 53   p. 18.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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