AFI Catalog of Feature Films
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Director: George Sherman (Dir)
Release Date:   25 Dec 1952
Premiere Information:   New York opening: 24 Dec 1952
Production Date:   early Jan--week of 11 Feb 1952; additional scenes 18 Apr--19 Apr 1952
Duration (in mins):   83-84
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Cast:   Errol Flynn (Lt. Brian Hawke)  
    Maureen O'Hara (Prudence "Spitfire" Stevens)  
    Anthony Quinn (Roc Brasiliano)  
    Alice Kelley (Princess Patma)  
    Mildred Natwick (Molvina MacGregor)  
    Robert Warwick (Capt. Kidd)  
    Harry Cording (Gow)  
    John Alderson (Harris)  
    Phil Tully (Jones)  
    Lester Matthews (Sir Cloudsley)  
    Tudor Owen (William)  
    Maurice Marsac (Capt. Moisson)  
    James Craven (Capt. Hornsby)  
    James Fairfax (Krukshank, the barber)  
    Michael Ross (Swaine)  
    Bill Radovich (Hassan)  
    Paul Newlan (Crop Ear Collins)  
    Lewis Russell (Oxford)  
    Arthur Gould-Porter (Lord Portland)  
    Olaf Hytten (King William)  
    James Logan (Captain Robert)  
    Keith McConnell (Quartermaster)  
    Michael Ferris (Quartermaster)  
    Emmett Smith (Captain Black Death)  
    Buzz Henry (Pirate raider)  
    Larry Chance (Lookout)  
    Ed Hinkle (Pirate)  
    Carl Saxe (Pirate)  
    Chuck Hamilton (Pirate)  
    Mike Lally (Pirate)  
    Bruce Lansbury (Officer of the watch)  
    Charles FitzSimons (Flag lieutenant)  
    Renee Beard (Archimedes)  
    Maralou Gray (Harem girl)  
    Ethan Laidlaw (Townsman)  
    Dave Kashner (Flogger)  

Summary: On board a British merchant ship in the 1700s, Lt. Brian Hawke endures twenty lashes, hoping the scars will falsely mark him as a deserter and allow him to infiltrate the pirate island of Libertania. Once on the island, he and fellow spies Jones and Harris are allowed entrance but forced to stand trial before the court of the Captains of the Coast, which is made up of the island's head pirates. At the trial, Hawke is shocked to see that a beautiful woman he flirted with earlier, Spitfire Stevens, is one of the captains. Pirate Roc Brasiliano, jealously recognizing Spitfire's attraction to the stranger, insists that Hawke prove himself in a fight to the death with a burly thief named Swaine. With Spitfire's help, Hawke wins the fight, and Brasiliano hires him as a navigator. As he outfits himself at the gunsmith's, Hawke learns that Spitfire is the daughter of the island's founding pirate, and that she protects her honor by killing any man who tries to touch her. Spitfire, who lives over the gunsmith's, calls Hawke into her chamber, where he notices a map drawn by her father showing the island fortifications. As he steals glances at the map, hoping to memorize it and provide the British with its information, Hawke charms Spitfire with lessons on how to behave like a lady. He soon joins Brasiliano on a raid of an Indian ship that is loaded with jewels. When the pirates attack, governess Molvina MacGregor disguises her lovely, sheltered charge, Princess Patma, as a harem girl and hides her below decks. As Brasiliano clears the boat and sets it on fire, MacGregor is forced to confide her secret to Hawke, and he bravely rescues Patma, who immediately falls in love with him. Back at the island, Brasiliano presents Spitfire with the finest of the raided jewels and proposes, but she turns him down and instead visits Hawke. He has just received a copy of the artillery map from his fellow spies, and rebuffs Spitfire's advances in order to put her in her place. During an auction of the harem girls, Hawke attempts to buy Patma, knowing that if the pirates learn she is the daughter of the Indian emperor, they will use her as bait against the British, but is outbid by a jealous Spitfire. Hawke then arranges with MacGregor to spirit the girl off the island that evening. Later that day, Spitfire offers Hawke her ship in return for passage to England, where she hopes to begin a civilized life. She informs him that she would like to trust him even though her father taught her never to trust a gentleman, and reveals that her real name is Prudence. Hawke admits that he loves her and asks her to trust him even when she is in doubt. He sneaks down to the beach that night with Jones and Harris to disable the island's cannons, after which they signal the British ship Man O' War, which is waiting in the bay. Hawke races to collect Patma, but is stopped by both Brasiliano, who believes he has come to steal Spitfire away, and Spitfire, who suspects he loves Patma. Patma, in a fit of pique, reveals to everyone that she is a princess just as Brasiliano finds the fortifications map in Hawke's pocket. Hawke and his men are tied to stakes in the tide pool and left to be eaten by giant crabs, but Spitfire takes pity on them at the last moment and unties them in secret. Dispirited, she accompanies Brasiliano onto his ship as he orders his guards to hold Patma prisoner at the bow. The British, realizing that if they harm Patma it will mean the death of every British citizen in India, are forced to hold their fire as the pirate sails off. Hawke, however, sneaks aboard the pirate ship just in time to save Spitfire from Brasiliano's clutches. After a close sword fight, Hawke kills Brasiliano and brings Spitfire on board the Man O'War. There, the only reward he requests is for Spitfire's life to be saved, and she kisses him gratefully. 

Production Company: Universal-International Pictures Co., Inc.  
Distribution Company: Universal Pictures Co., Inc.  
Director: George Sherman (Dir)
  Douglas Sirk (Dir of addl swordplay scenes)
  John Sherwood (Asst dir)
  Phil Bowles (Asst dir)
  James Welch (Asst dir)
Producer: Howard Christie (Prod)
Writer: Aeneas MacKenzie (Scr)
  Joseph Hoffman (Scr)
  Aeneas MacKenzie (Story)
Photography: Russell Metty (Dir of photog)
Art Direction: Bernard Herzbrun (Art dir)
  Alexander Golitzen (Art dir)
Film Editor: Frank Gross (Film ed)
Set Decoration: Russell A. Gausman (Set dec)
  Oliver Emert (Set dec)
Costumes: Edward Stevenson (Cost)
Music: Hans J. Salter (Mus)
Sound: Leslie I. Carey (Sd)
  Joe Lapis (Sd)
Special Effects: David S. Horsley (Spec photog)
Make Up: Joan St. Oegger (Hairstylist)
  Bud Westmore (Makeup)
Production Misc: Percy Ikerd (Prod unit mgr)
  Irvin Berwick (Dial dir)
Color Personnel: William Fritzsche (Technicolor col consultant)
Country: United States
Language: English

Copyright Claimant Copyright Date Copyright Number
Universal Pictures Co., Inc. 2/11/1952 dd/mm/yyyy LP2047

PCA NO: 15838
Physical Properties: Sd: Western Electric Recording
  col: Technicolor

 
Genre: Romance
  Swashbuckler
 
Subjects (Major): Impersonation and imposture
  Moral reformation
  Pirates
  Princesses
  Spies
  Women outlaws
 
Subjects (Minor): Abduction
  Death by animals
  England
  Fathers and daughters
  Governesses
  India
  Islands
  Jewelry
  Madagascar
  Maps
  Raids
  Romantic rivalry
  Sea captains
  Scars
  Ships
  Sword fights
  Thieves
  Torture
  Whips and whippings

Note: The film opens with the following written statement: "In 1700 A.D. the Pirate Republic of Libertania on the Island of Madagascar was a constant menace to the rich trade routes to India. Several days' sail from this Pirate fortress is the British Merchant ship 'Monsoon.'" An Aug 1951 HR news item notes that Universal held the film's script for two years before putting it into production. According to a Jul 1950 Var news item, producer Jack Gross was originally assigned to the film. HR news items state that Errol Flynn broke his leg while shooting a fight scene and returned to the set in a special cast which allowed him to walk and be photographed above the waist. Another HR news item noted that Douglas Sirk directed two days of additional swordplay scenes on the film, as George Sherman had started shooting his next picture, Back at the Front , in Tokyo. 

Bibliographic Sources:   Date   Page
Box Office   29 Nov 1952.   
Daily Variety   26 Nov 52   p. 3.
Film Daily   3 Dec 52   p. 6.
Hollywood Reporter   4 Jan 51   p. 9.
Hollywood Reporter   8 Feb 51   p. 11.
Hollywood Reporter   20 Aug 51   p. 2.
Hollywood Reporter   2 Feb 52   p. 8
Hollywood Reporter   7 Feb 52   p. 8.
Hollywood Reporter   12 Feb 52   p. 14.
Hollywood Reporter   18 Apr 52   p. 2.
Hollywood Reporter   26 Nov 1952   p. 3.
Motion Picture Herald Product Digest   29 Nov 52   pp. 1621-22.
New York Times   25 Dec 52   p. 34.
Variety   6 Jul 1950.   
Variety   26 Nov 52   p. 6.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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