AFI Catalog of Feature Films
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Lullaby of Broadway
Director: David Butler (Dir)
Release Date:   24 Apr 1951
Premiere Information:   New York opening: 26 Mar 1951
Duration (in mins):   91-92
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Cast:   Doris Day (Melinda Howard)  
    Gene Nelson (Tom Farnham)  
    S. Z. Sakall (Adolph Hubbell)  
    Billy De Wolfe ("Lefty" Mack)  
    Gladys George (Jessica Howard)  
    Florence Bates (Mrs. Hubbell)  
    Anne Triola (Gloria Davis)  
    Hanley Stafford (George Ferndel)  
    Page Cavanaugh Trio    
    Carlo and Constance DeMattiazzi    
    Sheldon Jett (Gus)  
    Murray Alper (Joe, bartender)  
    Edith Leslie (Nurse)  
    Hans Herbert (Headwaiter)  
    Herschel Daugherty (Sidney)  
    Hal Waldridge (Waiter)  
    Gerald O. Smith (Salesman)  
    Elizabeth Flournoy (Secretary)  
    Donald Kerr (Driver)  
    Charles Marsh (Reporter)  
    Charles Williams (Reporter)  
    Brooks Benedict (Reporter)  
    Jimmy Lloyd (Reporter)  
    Arlyn Roberts (Blonde showgirl)  
    Philo McCullough (Waiter)  
    Jimmy Aubrey (Steward)  
    Larry Steers (Party guest)  
    Carl Harbough (Doorman)  

Summary: On board the ship carrying her from England, where she lives, to New York City, entertainer Melinda Howard performs for an appreciative audience, including Broadway star Tom Farnham. Keeping his profession a secret, Tom makes a pass at the attractive Melinda, who reveals that she is making a surprise visit to her mother, Broadway singer Jessica Howard. In New York, Melinda arrives at the mansion she believes belongs to her mother. Unknown to Melinda, Jessica's alcoholism has reduced her to singing in a Greenwich Village saloon, and the mansion actually belongs to brewer Adolph Hubbell and his wife. The Hubbells' butler, "Lefty" Mack and his fiancée, Gloria Davis, the maid, are a down-on-their luck vaudeville team, who are good friends of Jessica and have been forwarding her letters to Melinda. Lefty pretends that Jessica has rented the house to the Hubbells while she is on tour, and when a disappointed Melinda discloses that she has no money, offers her one of the servants' rooms for the night. After promising Melinda that her mother will soon return home, Lefty informs Jessica of Melinda's arrival and suggests that she come to the house the following night when the Hubbells will be giving a party attended by many Broadway performers. Meanwhile, the kindly Adolph has discovered Melinda's presence, and after Lefty explains the situation, agrees to keep Jessica's secret. At the party, Melinda awaits her mother with great anticipation. To her chagrin, among the guests brought by Broadway producer George Ferndel is Tom, who entertains the crowd with a spectacular song and dance. Ferndel, meanwhile, tries to persuade Adolph to invest in his latest show, something Adolph refuses to do unless he is able to help cast the production. After Ferndel accuses him of being too old-fashioned, Adolph sneaks away from the party, but upon encountering Melinda, agrees to dance a rhumba with her. Tom, who has been entertaining the jealous Mrs. Hubbell, intervenes and leaves Adolph to make his excuses to his wife, while he dances with Melinda. After Jessica fails to appear because she has been hospitalized with delirium tremens, Lefty explains that her show is too popular for her to leave, and Melinda vows to wait for her, even if it takes months. In an attempt to cheer up Melinda, Lefty suggests to Adolph that he take her to dinner and present her to Ferndel as the potential new star of his show. Ferndel is suitably impressed by Adolph's attractive protegée, and the deal is concluded to everyone's satisfaction. Delighted by his new role as a modern man, Adolph decides to buy Melinda a fur jacket. When Tom happens to see him in the fur shop, Adolph begs him to keep it a secret. Later, Melinda and Tom rehearse a number for the new show Lullaby of Broadway , and afterward, kiss lovingly. Gloria is horrified when the fur arrives, as she believes Adolph's intentions are far from fatherly. The innocent Melinda, upset by her insinuations, insists on returning the jacket, and then demonstrates Adolph's kindness by announcing that Lefty and Gloria will both have parts in the new production. Before the jacket is returned, however, Mrs. Hubbell finds it and believes that it is a surprise for her. She wears it that night to a charity ball where Melinda sees her and candidly remarks to Tom that the jacket had originally been meant for her. Tom misinterprets her statements, and the two quarrel bitterly. Although Jessica has been released from the hospital, she fears Melinda's reaction to her present state and refuses to meet her. Then, just before the show opens, Mrs. Hubbell learns that the fur was purchased for Melinda and names her in a divorce suit. Tom offers to "forgive" the shocked Melinda, and she realizes that he, too, thought she was romantically involved with Adolph. Shortly afterward, an aggressive reporter recognizes Jessica's picture and tells Melinda the truth about her mother. Completely shattered, Melinda decides to return to England and begs Lefty to pay for her ticket. Gloria and Lefty then meet Melinda at the ship and escort her to a stateroom where Jessica is waiting. After mother and daughter are tearfully reunited, Lefty informs them that Mrs. Hubbell now knows there was nothing between Melinda and Adolph, and they all leave together for the theater. Opening night is a great success, and Tom and Melinda pursue their romance. 

Production Company: Warner Bros. Pictures, Inc.  
Brand Name: A Warner Bros.--First National Picture
Distribution Company: Warner Bros. Pictures, Inc.  
Director: David Butler (Dir)
  Phil Quinn (Asst dir)
  Gibson Carter (2d asst dir)
Producer: William Jacobs (Prod)
Writer: Earl Baldwin (Wrt)
Photography: Wilfrid M. Cline (Dir of photog)
  George Nogle (Cam op)
  Paul Hill (Tech)
  Harry Marsh (Asst cam)
  Bud Graybill (Stills)
  Frank Flanagan (Gaffer)
Art Direction: Douglas Bacon (Art dir)
Film Editor: Irene Morra (Film ed)
Set Decoration: Lyle B. Reifsnider (Set dec)
  Bud Friend (Props)
  Gene Delaney (Asst props)
Costumes: Milo Anderson (Ward)
  Patricia Davidson (Women's ward)
  Leon Roberts (Men's ward)
Music: Ray Heindorf (Mus dir)
  Frank Perkins (Orch)
  Howard Jackson (Orch)
Sound: Stanley Jones (Sd)
Dance: Al White (Mus numbers created and staged by)
  Eddie Prinz (Mus numbers created and staged by)
  Miriam Franklin (Asst dance dir)
  Ed Graham (Asst dir)
Make Up: Gordon Bau (Makeup)
  Bill Phillips (Makeup)
  Ann Locker (Hair)
Production Misc: Jean Baker (Scr supv)
  Gilbert Germaine (Best boy)
  Charles Harris (Grip)
Stand In: Dolly Robbin (Stand-in for Doris Day)
  Adrian Crossett (Stand-in for Gene Nelson)
  Rosita Delva (Stand-in for Anne Triola)
  Elmore Henderson (Stand-in for S. Z. Sakall)
Color Personnel: Mitchell Kovaleski (Technicolor col consultant)
Country: United States
Language: English

Music:
Songs: "A Shanty in Old Shanty Town," music and lyrics by Little Jack Little, John Siras and Joe Young; "Lullaby of Broadway" and "You're Getting to Be a Habit with Me," music and lyrics by Harry Warren and Al Dubin; "Please Don't Talk About Me When I'm Gone," music and lyrics by Sam H. Stept, Sidney Clare and Bee Palmer; "Somebody Loves Me," music by George Gershwin, lyrics by B. G. DeSylva and Ballard MacDonald; "You're Dependable," music and lyrics by Sy Miller and Jerry Seleen; "Just One of Those Things," music and lyrics by Cole Porter; "Zing Went the Strings of My Heart," music and lyrics by James F. Hanley; "I Love the Way You Say Goodnight," music and lyrics by Eddie Pola and George Wyle.
Composer: Sidney Clare
  B. G. DeSylva
  Al Dubin
  George Gershwin
  James F. Hanley
  Little Jack Little
  Ballard MacDonald
  Sy Miller
  Bee Palmer
  Eddie Pola
  Cole Porter
  Jerry Seleen
  John Siras
  Sam H. Stept
  Harry Warren
  George Wyle
  Joe Young
Source Text:

Copyright Claimant Copyright Date Copyright Number
Warner Bros. Pictures, Inc. 19/3/1951 dd/mm/yyyy LP799

PCA NO: 14875
Physical Properties: Sd: RCA Sound System
  col: Technicolor

 
Genre: Musical
Sub-Genre: Show business
 
Subjects (Major): Actors and actresses
  Deception
  Drunkenness
  Mothers and daughters
  New York City--Broadway
  Romance
  Servants
 
Subjects (Minor): Brewers and breweries
  False accusations
  Fur coats
  Jealousy
  Marriage
  New York City--Greenwich Village
  Parties
  Reporters
  Saloons
  Ships

Note: A HR news item reported that pianist Buddy Cole would enact a speaking part in this film, but his appearance in the picture has not been confirmed. 

Bibliographic Sources:   Date   Page
Box Office   17 Mar 1951.   
Daily Variety   13 Mar 51   p. 3.
Film Daily   15 Mar 51   p. 6.
Hollywood Reporter   1 Sep 50   p. 11.
Hollywood Reporter   5 Oct 50   p. 6.
Hollywood Reporter   24 Nov 50   p. 11.
Hollywood Reporter   13 Mar 51   pp. 3-4.
Motion Picture Herald Product Digest   17 Mar 51   p. 757.
New York Times   26 Mar 51   p. 4.
New York Times   27 Mar 51   p. 35.
Variety   14 Mar 51   p. 6.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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