AFI Catalog of Feature Films
Movie Detail
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The Thin Man
Director: W. S. Van Dyke (Dir)
Release Date:   25 May 1934
Production Date:   9 Apr--27 Apr 1934; retakes mid-May 1934
Duration (in mins):   91
Duration (in reels):   10
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Cast:   William Powell (Nick [Charles])  
    Myrna Loy (Nora [Charles])  
    Maureen O'Sullivan (Dorothy [Wynant])  
    Nat Pendleton (Guild)  
    Minna Gombell (Mimi [Wynant Jorgenson])  
    Porter Hall (MacCaulay)  
    Henry Wadsworth (Tommy)  
    William Henry (Gilbert [Wynant])  
    Harold Huber (Nunheim)  
    Cesar Romero (Chris [Jorgenson])  
    Natalie Moorhead (Julia Wolf)  
    Edward Brophy (Morelli)  
    Edward Ellis ([Clyde] Wynant)  
    Cyril Thornton (Tanner)  
    Asta    
    Ruth Channing (Mrs. Jorgenson)  
    Gertrude Short (Marion)  
    Clay Clement (Quinn)  
    Robert E. Homans (Bill)  
    Raymond Brown (Dr. Walton)  
    Douglas Walton (Taxi driver)  
    Sherry Hall (Taxi driver)  
    Polly Bailey (Janitress)  
    Dixie Laughton (Janitress)  
    Arthur Belasco (Detective)  
    Garry Owen (Detective)  
    Edward Hearn (Detective)  
    Fred Malatesta (Head waiter)  
    Rolfe Sedan (Waiter)  
    Leo White (Waiter)  
    Walter Long (Stutsy)  
    Kenneth Gibson (Apartment clerk)  
    Tui Lorraine (Stenographer)  
    Bert Roach (Foster)  
    Huey White (Tefler)  
    Ben Taggart (Police captain)  
    Charles Williams (Fight manager)  
    Phil Tead (Reporter)  
    Thomas Jackson (Reporter)  
    Nick Copeland (Reporter)  
    Creighton Hale (Reporter)  
    Dink Templeton (Reporter)  
    John Larkin (Porter)  

Summary: Soon after Dorothy Wynant announces to her inventor father that she plans to marry, he goes on a mysterious business trip, promising to return in time for Dorothy's wedding. As the day approaches and Wynant fails to return, Dorothy worries, while her mother, Mimi, is frantic that her ex-husband is unavailable to give her and her new husband, Chris Jorgenson, more money. When Mimi goes to see Julia Wolf, Wynant's mistress, to ask for money, she finds her dead body clutching Wynant's watch chain. Meanwhile, sophisticated former detective Nick Charles and his wealthy wife Nora have come to New York for the Christmas holidays and become enmeshed in the case, despite Nick's protests that he is no longer a detective. Nora enthusiastically encourages Nick, and one evening he and Asta, their terrier, discover the skeletal remains of a body in Wynant's laboratory. The police suspect that Wynant has committed another murder, but Nick realizes that the body must be Wynant's because of a trace of shrapnel found in the leg. Nick and Nora give a dinner party, to which they invite all of the suspects as guests. There it is revealed that Mimi had been aiding MacCaulay, Wynant's lawyer, in exchange for cash. When Nick exposes Chris as a bigamist, thus making Mimi realize that she will now be free to inherit Wynant's money, she incriminates MacCaulay, who had been embezzling from Wynant with Julia's compliance. Finally, Nick and Nora and Dorothy and her new husband Tommy are on a train, happily bound for California. 

Production Company: Metro-Goldwyn-Mayer Corp. (Loew's, Inc.)
Brand Name: A Cosmopolitan Production

Distribution Company: Metro-Goldwyn-Mayer Corp.  
Director: W. S. Van Dyke (Dir)
  Les Selander (Asst dir)
Producer: Hunt Stromberg (Prod)
Writer: Albert Hackett (Scr)
  Frances Goodrich (Scr)
Photography: James Wong Howe (Photog)
Art Direction: Cedric Gibbons (Art dir)
  David Townsend (Art dir assoc)
  Edwin B. Willis (Art dir assoc)
Film Editor: Robert J. Kern (Film ed)
Costumes: Dolly Tree (Ward)
Music: Dr. William Axt (Mus score)
  Jack Virgil (Orch)
  Wayne Allen (Orch)
  David Snell (Orch)
  Maurice de Packh (Orch)
Sound: Douglas Shearer (Rec dir)
Production Misc: Howard Dietz (Press agent)
Country: United States
Language: English
Series: Thin Man

Music:
Source Text: Based on the novel The Thin Man by Dashiell Hammett (New York, 1934).
Authors: Dashiell Hammett

Copyright Claimant Copyright Date Copyright Number Passed By NBR:
Metro-Goldwyn-Mayer Corp. 24/5/1934 dd/mm/yyyy LP4745 Yes

Physical Properties: b&w:
  Sd: Western Electric Sound System

 
Genre: Comedy
Sub-Genre: Detective
 
Subjects (Major): Criminals
  Detectives
  Family relationships
  Marriage
  Murder
  New York City
 
Subjects (Minor): Bigamy
  Christmas
  Dinners and dining
  Divorce
  Dogs
  Firearms
  Inventors
  Lawyers
  Missing persons
  Mistaken identity
  Mistresses
  Weddings

Note: Dashiell Hammett's novel first appeared in Redbook in Dec 1933. Some early trade reviews list the running time variously at 80 minutes and 95 minutes. According to information in the file on the film in the MPAA/PCA Collection at the AMPAS Library, M-G-M was advised that some dialogue such as William Powell's line "He didn't come anywhere near my Tabloids," and Myrna Loy's line "What's that man doing in my drawers?" were "censorable," the picture was approved for exhibition in 1934 and was granted a PCA certificate in Aug 1935. After the film's release, some territories did censor some lines of dialogue, and at least one theater owner from the South wrote to the PCA to complain of excessive drinking in the picture which his patrons found offensive. Although the "Thin Man" of the title was the character Clyde Wynant, fans of the picture and the subsequent series began to refer to the Nick Charles character as "The Thin Man," and all subsequent films included "The Thin Man" in their titles. The film was one of the top-ten money-makers of 1934 and one of the biggest hits of William Powell's and Myrna Loy's careers. In addition, it earned four Academy Award nominations, including Best Picture, Best Adapted Screenplay, Best Director and Best Actor. It was also named one of the top ten films of the year by FD and NYT . Powell and Loy recreated their roles for a Lux Radio Theatre broadcast on 8 Jun 1936. According to a HR news item, the film was shot in only sixteen days. Though many films of the era were shot within a ten to fifteen day period, sixteen days was considered very quick for a major film such as The Thin Man . Modern sources note that the speed of this film and others shot by director W. S. Van Dyke led to his nickname, "One Shot Woody." A news item in HR on 11 May 1934 noted that the picture was "back today for added scenes," subsequent to the picture's press preview, and that actor William Augustin was to appear in the scenes, his appearance in the film has not been confirmed and it is possible that the added scenes did not appear in the released film. Many modern sources have credited the film's sophisticated style, blending mystery with comedy and romance as the inspiration for a new type of detective film that was to remain popular for many years. Five additional films were made by M-G-M in the series, After the Thin Man (1936), Another Thin Man (1939), Shadow of the Thin Man (1941), The Thin Man Goes Home (1943), and Song of the Thin Man (1947). Powell, Loy and "Asta," their dog appeared in all six films. In 1938, Powell was said to be leaving the series, at least temporarily, due to illness. Melvyn Douglas and Reginald Gardiner were both considered as replacements, but Powell did return to the series in 1939. In addition to the M-G-M films, there was a radio series in the 1930s based on the Dashiell Hammett characters, a television series from 1957 to 1959 starring Peter Lawford and Phyllis Kirk and a 1977 television movie called Nick and Nora starring Craig Stevens and JoAnn Pflug. A musical play called Nick and Nora , starring Barry Bostwick and Joanna Gleason, opened on Broadway on 8 Dec 1991, but closed on 15 Dec 1991. 

Bibliographic Sources:   Date   Page
Daily Variety   10 May 34   p. 3.
Film Daily   23 May 34   p.7.
HF   14 Apr 34   p. 8.
Hollywood Reporter   30 Apr 34   p. 1.
Hollywood Reporter   10 May 34   p.3.
Hollywood Reporter   23 Sep 38   p. 3.
Hollywood Reporter   26 Sep 38   p. 2.
Motion Picture Daily   11 May 34   p.3.
Motion Picture Herald   19 May 34   p.68.
New York Times   30 Jun 34   p.18.
Variety   3 Jul 34   p.26.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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