AFI Catalog of Feature Films
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Barricade
Director: Peter Godfrey (Dir)
Release Date:   Apr 1950
Production Date:   mid-Apr--mid-May 1949
Duration (in mins):   75
Duration (in feet):   6,771
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Cast:   Dane Clark (Bob Peters)  
    Raymond Massey (Boss Kruger)  
    Ruth Roman (Judith Burns)  
    Robert Douglas (Aubrey Milburn)  
    Morgan Farley (The judge)  
    Walter Coy (Benson)  
    George Stern (Tippy)  
    Robert Griffin (Kirby)  
    Frank Marlowe (Bandy)  
    Tony Martinez (Peso)  
    George Lloyd (Bartender)  
    John Halloran (Sheriff)  
    Jack Montgomery (Driver)  
    Billy Vincent (Miner)  
    Leo Anthony (Miner)  
    Steve Stephens (Miner)  
    George Bell (Miner)  
    Artie Artego (Miner)  
    Benny Corbett (Miner)  
    Ted Mapes    

Summary: When a wagon carrying Aubrey Milburn and fugitive Judith Burns overturns in the desert, the injured passengers are brought to Boss Kruger's gold mine, thirty-five miles from the nearest town. Judith is badly hurt, but Kruger advises Milburn that despite his broken ankle, he will be expected to work for his keep. Later, Milburn witnesses a fistfight between Kruger and Bob Peters, another new arrival, when Peters refuses to work with explosives. Milburn learns that the mine is staffed with fugitives and criminals, whom the brutal Kruger keeps virtual prisoners. When Milburn questions the men, however, they reveal nothing. One night, pretending to clean, Milburn searches Kruger's room. Kruger comes in unexpectedly, but rather than punishing Milburn, initiates a discussion of power and evil. When Kruger learns that Judith is dying, he challenges Milburn to save her life, but adds that if Judith recovers, he will send her back to prison. Despite his conflicting feelings, Milburn, aided by Peters, tends to Judith's wounds. Moved by Milburn's actions, the judge, a drunken reprobate, throws out his liquor and prays for her recovery. After Judith recuperates, she begs Kruger not to send her back to town, and his callous response leads to another fight between Peters and Kruger. Later, the judge begs Kruger for a chance to help the other men reform. Kruger allows it, but after the judge's impassioned speech, Kruger eggs the men to attack and ridicule the judge, who then tells everyone that Kruger murdered his own brother in order to keep the mine for himself. The judge adds that Kruger's nephew Clay has vowed to avenge his father and that all of Kruger's men will be expected to fight on Kruger's side when Clay arrives. At the end of his speech, the judge kills himself. Some time later, Peters sets off a blast in the mine that is intended to kill Kruger, but, unknown to the other men, the blast merely traps him. While Kruger digs his way out, the men, believing that he is dead, celebrate. Peters and Judith take one of the wagons, hoping to cross the nearby desert and start a new life. Milburn reveals to the men that he is Clay's lawyer and is looking for evidence against Kruger. When Kruger suddenly appears after digging his way out of the mine, Tippy, one of the miners, reveals Milburn's identity to Kruger and also betrays Peters. Kruger then offers all the miners shares in the gold and allows them to beat up Tippy as a traitor. When Clay arrives at the mine with his men, a gunfight breaks out. Meanwhile, Judith and Peters are forced to return when they discover that Kruger had salted the water bags on the wagon. When Judith and Peters arrive at the mine, they find that it has burned down, Clay is dead and Milburn is badly injured. Kruger, however, has survived. During an ensuing fight between Kruger and Peters, the mine collapses, killing Kruger. Judith, Milburn and Peters then leave together for town, planning to make their amends to society. 

Production Company: Warner Bros. Pictures, Inc.  
Brand Name: A Warner Bros.--First National Picture
Distribution Company: Warner Bros. Pictures, Inc.  
Director: Peter Godfrey (Dir)
  Chuck Hansen (Asst dir)
  Claude E. Archer (2d asst dir)
Producer: Saul Elkins (Prod)
Writer: William Sackheim (Scr)
Photography: Carl Guthrie (Dir of photog)
  Lou Jennings (Cam op)
  Stewart Hiss (Asst cam)
  Sid Zipser (Tech)
  Fred Morgan (Stills)
  Victor Johnson (Gaffer)
Art Direction: Stanley Fleischer (Art dir)
Film Editor: Clarence Kolster (Film ed)
Set Decoration: William Wallace (Set des)
  Bud Friend (Props)
  Lloyd Edwards (Asst props)
Costumes: Charles Mock (Cost)
  Dan Brown (Cost)
  Patricia Davidson (Cost)
Music: William Lava (Mus dir)
  Charles Maxwell (Orch)
Sound: Dolph Thomas (Sd)
Make Up: Perc Westmore (Makeup)
  Larry Butterworth (Makeup)
  Eddie Allen (Makeup)
  Faye Hanlon (Hair)
  Ray Foreman (Hair)
Production Misc: Eric Stacey (Unit mgr)
  Herschel Brown (Head grip)
  Claude Swanner (Best boy)
Color Personnel: William Fritzsche (Technicolor col consultant)
Country: United States

Copyright Claimant Copyright Date Copyright Number
Warner Bros. Pictures, Inc. 1/3/1950 dd/mm/yyyy LP2951

Physical Properties: col: Technicolor
  Sd: RCA Sound System

 
Genre: Western
 
Subjects (Major): Criminals
  Gold mines
 
Subjects (Minor): Betrayal
  Criminals--Rehabilitation
  Deserts
  Drunkenness
  Escapes
  Explosions
  Fistfights
  Gunfights
  Impersonation and imposture
  Judges
  Lawyers
  Mine accidents
  Murder
  Nephews
  Nursing back to health
  Suicide

Note: The first reel of the film was missing from the viewed print. A 15 Mar 1949 HR news item notes that Claude Rains was cast in the film, but he does not appear. 

Bibliographic Sources:   Date   Page
Box Office   11 Mar 1950.   
Daily Variety   7 Mar 50   p. 3.
Film Daily   8 Mar 50   p. 10.
Hollywood Reporter   15 Mar 49   p. 4.
Hollywood Reporter   14 Apr 49   p. 14.
Hollywood Reporter   10 May 49   p. 3.
Hollywood Reporter   7 Mar 50   p. 3.
Motion Picture Herald Product Digest   11 Mar 50   pp. 221-22.
New York Times   25 Mar 50   p. 8.
Variety   8 Mar 50   p. 6.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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