AFI Catalog of Feature Films
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The Picture of Dorian Gray
Director: Albert Lewin (Dir)
Release Date:   3 Mar 1945
Premiere Information:   New York opening: week of 1 Mar 1945
Production Date:   8 Mar--mid-Jun 1944
Duration (in mins):   107 or 110
Duration (in reels):   11
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Cast:   George Sanders (Lord Henry Wotton)  
    Hurd Hatfield (Dorian Gray)  
    Donna Reed (Gladys Hallward)  
    Angela Lansbury (Sibyl Vane)  
    Peter Lawford (David Stone)  
    Lowell Gilmore (Basil Hallward)  
    Richard Fraser (James Vane)  
    Douglas Walton (Allen Campbell)  
    Morton Lowry (Adrian Singleton)  
    Miles Mander (Sir Robert Bentley)  
    Lydia Bilbrook (Mrs. Vane)  
    Mary Forbes (Lady Agatha)  
    Robert Greig (Sir Thomas)  
    Moyna MacGill (Duchess)  
    Billy Bevan (Malvolio Jones, Chairman)  
    Renee Carson (Young French woman)  
    Lillian Bond (Kate)  
    Devi Dja   and Her Balinese Dancers
    Sir Cedric Hardwicke (Narrator)  
    Reginald Owen (Lord George Farmour)  
    Lisa Carpenter (Lady Henry Wotton)  
    William Stack (Mr. Erskine)  
    Natalie Draper (Mrs. Vandeleur)  
    Anita Bolster (Lady Harborough)  
    Arthur Shields (Street preacher)  
    James Aubrey (Cabby)  
    Charles McNaughton (Cabby)  
    Robert Cory (Cabby)  
    Alan Edmiston (Cabby)  
    Harry Adams (Butler)  
    Norman Pogson (Butler)  
    John Valentine (Butler)  
    Charles Coleman (Butler)  
    Carol Diane Keppler (Gladys)  
    Emily Massey (Parker)  
    Sir Sydney Lawford (Davenant)  
    Mitchell Lewis (Waiter)  
    Frank Dawson (Waiter)  
    Leo Mostovoy (Sandwich man)  
    Joe Bernard (Violinist)  
    Jimmy Conlin (Piano player)  
    Bernard Gorcey (Stage hand)  
    Taylor & Sinclair (Xylophone act)  
    Colin Campbell (Shopkeeper)  
    Joe Yule (Stage manager)  
    Guy Bates Post (Victor)  
    Guy Bellis (Lackey)  
    Arthur Mulliner (Duke of Berwick)  
    Leonard Mellin (Gentleman)  
    Craufurd Kent (Friend)  
    Evan Thomas (Club member)  
    Toby Doolan (Club member)  
    Charles K. French (Club member)  
    Eric Mayne (Club member)  
    Major Sam Harris (Club member)  
    William Holmes (Club member)  
    Hugh Greenwood (Club member)  
    Scott Seaton (Club member)  
    Dick Earle (Club member)  
    J. C. Fowler (Club member)  
    Herbert Evans (Club member)  
    Lillian Talbot (Mayfair hostess)  
    James Logan (Jewel merchant)  
    John Good (Jewel merchant)  
    Pedro De Cordoba (Old pianist)  
    Pedro Regas (Barkeeper)  
    John George (Hunchback)  
    Skelton Knaggs (Assistant barkeeper)  
    Tom Pilkington (Ant man)  
    Kay Medford (Girl)  
    Helena Benda (Queen)  
    Tom Tamarez (King)  
    Jerome St. John (Prince)  
    Larry Williams (Policeman)  
    Frederic Worlock (Francis)  
    Anne Curson (Lady Gwendolyn Rugby)  
    Renie Riano (Lady Ruxton)  
    Audrey Manners (Lady Alice Goodbody)  
    Rex Evans (Lord Gerald Goodbody)  
    Edward Cooper (Ernest Harrowden)  
    Kenneth Hunter (Sir Geoffrey Clouston)  
    Lumsden Hare (Thornton)  
    Gibson Gowland (David's driver)  
    Lee Powell (Station master)  
    Betty Fairfax (Housekeeper)  
    Harry Allen (Farmer)  
    Lotus Thompson (Maid)  
    Glenna Kendall (Maid)  
    Alice Keating (Maid)  
    Margaret Roberts (Maid)  
    T. Arthur Hughes (Patron)  
    Al Ferguson (Patron)  
    Bruce Carruthers (Patron)  
    George Broughton (Patron)  
    William Eddritt (Patron)  
    Ila Lee (Patron)  
    Doris Stone (Patron)  
    Herberta Williams (Patron)  
    Ann Lundeen (Beautiful young woman)  
    Helen O'Hara (Beautiful young woman)  
    Reginald Simpson (Doorman)  
    Ruby Newport (Flirting girl)  
    Charles Knight (Footman)  
    William O'Brien (Footman)  
    Wilson Benge (Footman)  
    Sam Simone (Footman)  
    Carl LeViness (Footman)  
    Walter Rode (Footman)  
    Tom Costello (Footman)  
    Art Berry Sr. (Footman)  
    Joseph Marievsky (Footman)  
    Alex Pollard (Footman)  
    Ray Flynn (Footman)  
    Frank McClure (Footman)  
    Leslie Sketchley (Footman)  
    Eddie Aquilian (Beater)  
    Buck Bucko (Beater)  
    Pascale Perry (Beater)  
    Alan Schute (Hunter/Member of London club)  
    Fred Aldrich (Hunter)  
    Whitey Sacks (Hunter)  
    Stuart Holmes (Hunter)  
    Donald Kerr (Hunter)  
    Wally Dean (Hunter)  
    George Jenner (Loader)  
    Larry Stanton (Loader)  
    Bud Harrison (Loader)  
    Mike Jeffries (Loader)  
    Lee Powell (Loader)  
    Bill Patton (Loader)  
    Frank Pharr (Loader)  
    Paul de Corday (Dorian's friend)  
    Oliver Cross (Member London club)  
    Ward Carson (Member London club)  
    Bob MacLean (Member London club)  
    Jack Lee (Member London club)  
    Mary Benoit (Guest at Mayfair tea)  
    Volta Boyer (Guest at Mayfair tea)  
    Elyse Brown (Guest at Mayfair tea)  
    Monica Bannister (Guest at Mayfair tea)  
    Olive Jones (Guest at Mayfair tea)  
    Richard Collin (Guest at Mayfair tea)  
    Kerry Vaughn (Guest at Mayfair tea)  
    George Peters (Sailor)  
    Dorothy Ford    
    Barbara Woodell    
    Lorraine Miller    
    Lloyd Ford    

Summary: In London in 1886, Lord Henry Wotton's curiosity is aroused when his friend, artist Basil Hallward, devotes his energies to painting the portrait of a beautiful young Adonis named Dorian Gray. Lord Henry, a cynical idle aristocrat who finds pleasure in manipulating the lives of others, takes an interest in Dorian, advising him that youth is all too fleeting and that the pursuit of desire is the only real goal in life. Lord Henry's words strike a chord in Dorian, and as Basil completes his portrait, Dorian declares that he would give his soul if the painting would grow old while he remained forever young. Lord Henry then cautions Dorian about making a wish in the presence of his Egyptian cat statue, a figure capable of granting it. Inspired by Lord Henry's sentiments, Dorian begins to seek new adventures, and one day wanders into a cheap music hall where he is smitten by singer Sibyl Vane. The idealistic Sibyl addresses Dorian as "Sir Tristam," the name of a mythical, chivalrous knight. When Dorian tells Sir Henry that he plans to marry Sibyl, whom he describes as an antidote to his cynicism, Lord Henry suggests that he test her integrity by inviting her to see the portrait and then asking her to spend the night. At first, Sibyl refuses Dorian's unseemly request, but unable to displease him, agrees to his terms. Disillusioned, Dorian writes Sibyl that she has killed his love and he will never see her again. Troubled by his cruelty, Dorian glances at the portrait and notices that the face has grown hardened, a reflection of his own soul. Vowing to reform, Dorian writes a letter begging Sibyl's forgiveness. Just as he finishes it, Lord Henry arrives to inform him that Sibyl has committed suicide. When Lord Henry advises Dorian to expunge the incident from his mind, Dorian's guilt prompts him to assume an air of indifference. Basil comes to the house to reproach Dorian for his unconcern and notes that the portrait has been concealed behind a screen. After Basil leaves, Dorian decides to lock the painting in his old schoolroom amid the souvenirs of his innocent childhood. As the years pass, rumors of Dorian's changeless youth and strange debauchery intensify. Periodically, Dorian scrutinizes his portrait, which has become disfigured by his sins and his aging. The only person to whom Dorian remains vulnerable is Basil's niece Gladys, who has loved him since she was a child. Over the objections of her suitor, David Stone, Gladys impetuously decides to propose to Dorian, but he rejects her offer. One foggy night, Basil, on his way to Paris, visits Dorian to ask him to deny the unremitting rumors about his wicked ways. In response, Dorian offers to show Basil his soul and takes him to view the portrait, by now a monstrous testament to his venality. Realizing that Basil might reveal his terrible secret to Gladys, Dorian plunges a knife into his back, causing fresh blood to appear on the painting. Afterward, Dorian arranges for Allen Campbell, a chemist over whom he has a sinister hold, to dispose of Basil's body. Dorian then proposes to Gladys and she accepts. Months pass as the police search in vain for Gladys' missing uncle. Then one day, the police notify Dorian that Campbell has committed suicide. Throughout the years, Sibyl's brother, James Vane, has sought the man responsible for his sister's death, the man he knows only as "Sir Tristam." One night, in a cheap pub, Vane hears Dorian called Sir Tristam and follows him into the alley, intending to slay him. Upon discovering that Dorian is a young man, Vane thinks he is mistaken until he later learns Dorian's strange story. Vane tracks Dorian to his country estate, and while hiding behind a clump of bushes, awaiting his chance to slay Dorian, Vane is accidentally shot and killed by a hunter. Realizing that he is indirectly responsible for Vane's death, Dorian decides to break his engagement to Gladys and returns to London. Believing that by destroying his portrait he will be free of its evil spell, Dorian plunges a knife into its heart. As the knife pierces the painting, Dorian falls to the floor, mortally wounded. While Dorian fervently prays, the portrait slowly changes into the image of a beautiful young man. Soon after, Lord Henry, Gladys and David burst into the room and find the hideously disfigured body of an old man lying on the floor. 

Production Company: Metro-Goldwyn-Mayer Corp. (Loew's Inc.)
Distribution Company: Loew's Inc.  
Director: Albert Lewin (Dir)
  Earl McEvoy (Asst dir)
  Frank Myers (2d asst dir)
Producer: Pandro S. Berman (Prod)
Writer: Albert Lewin (Scr)
Photography: Harry Stradling (Dir of photog)
  Sam Leavitt (2d cam)
  Frank Phillips (Asst cam)
  Eddie Davis (Asst cam)
  C. A. Philbrick (Gaffer)
Art Direction: Cedric Gibbons (Art dir)
  Hans Peters (Art dir)
Film Editor: Ferris Webster (Film ed)
  Don Hall (Asst film ed)
Set Decoration: Edwin B. Willis (Set dec)
  Hugh Hunt (Assoc)
  John Bonar (Assoc)
Costumes: Irene (Cost supv)
  Marion Herwood Keyes (Assoc)
  Valles (Men's cost)
Music: Herbert Stothart (Mus score)
  Murray Cutter (Mus dept)
  Rudolph G. Kopp (Mus dept)
  Magdaline Simone (Mus dept)
  Alberto Colombo (Mus dept)
Sound: Douglas Shearer (Rec dir)
  William R. Edmondson (Unit mixer)
  Frank B. MacKenzie (Re-rec and eff mixer)
  Robert W. Shirley (Re-rec and eff mixer)
  Newell Sparks (Re-rec and eff mixer)
  William Steinkamp (Re-rec and eff mixer)
  Michael Steinore (Re-rec and eff mixer)
  Edward Baravalle (Mus mixer)
  Earl Cates (Mus mixer)
  M. J. McLaughlin (Mus mixer)
  Lew Barnes (Sd)
  Ted Hoffman (Sd)
Make Up: Jack Dawn (Makeup created by)
Production Misc: Ivan Le Lorraine Albright (Paintings of Dorian Gray)
  Henrique Medina (Paintings of Dorian Gray as a young man)
  Gordon Wiles (Spec asst to Mr. Lewin)
  Warren Newcombe (Matte paintings)
  Mark Davis (Matte paintings, cam)
  A. Arnold Gillespie (Transparency projection shots)
  Keith Weeks (Unit mgr)
  Viola Pettit (Research)
  Mel Ballerino (Casting dir)
  Pop Arnold (Crew)
  Dick Borland (Crew)
  William Cary (Crew)
  Frank Caston (Crew)
  "Duckie" Hendrickson (Crew)
  Elmer Holtz (Crew)
  Les Johnson (Crew)
  Joe Keener (Crew)
  Harry Kearley (Crew)
  Ethel La Blanche (Crew)
  Bob Meeker (Crew)
  Tony Ordoqui (Crew)
  Bernard Ponedel (Crew)
  Irving Richall (Crew)
  Rose Rockne (Crew)
  Jack Rohan (Crew)
  Bill Shaw (Crew)
  Pasquale Williams (Crew)
  Jack Wetzel (Crew)
Country: United States

Music: Prelude for Piano No. 24 in D minor by Frédéric Chopin.
Songs: "Goodbye Little Yellow Bird," words and music by C. W. Murphy, William Hargreaves and Dan O'Brien.
Composer: Frédéric Chopin
  William Hargreaves
  C. W. Murphy
  Dan O'Brien
Source Text: Based on the novel The Picture of Dorian Gray by Oscar Wilde (London and New York, 1891).
Authors: Oscar Wilde

Copyright Claimant Copyright Date Copyright Number Passed By NBR:
Loew's Inc. 6/3/1945 dd/mm/yyyy LP13198 Yes

PCA NO: 10351
Physical Properties: b&w with col seq: Technicolor
  Sd: Western Electric Sound System

 
Genre: Drama
Sub-Genre: Historical
 
Subjects (Major): Cynics
  Engagements
  London (England)
  Moral corruption
  Murder
  Portraits (Paintings)
  Revenge
  Singers
  Suicide
 
Subjects (Minor): Aristocracy
  Bars
  Brothers and sisters
  Chemists
  Great Britain--History--Social life and customs
  Nieces
  Snobs and snobbishness
  Statues
  Uncles

Note: Oscar Wilde's novel was first published in Lippincott's Lovely Magazine in July 1890. The following written verse from The Rubáiyát by Omar Khayyám opens and closes the film: "I sent my soul through the invisible, Some letter of that after-life to spell; And by and by my soul returned to me, And answered, "I myself am Heaven and Hell." In the picture, four scenes displaying Dorian's portrait are in color, the rest of the film is in black and white. Actress Renee Carson's name is misspelled in the onscreen credits as "Renie Carson."
       HR news items yield the following information about this production: Basil Rathbone and Herbert Marshall were first considered for the role of "Lord Henry Wotton." News items from 1943 add that Michael Dyne, Kenneth Donner, John Good and Robert Alton, Jr. were tested for the lead role. Although a Nov 1943 news item places June Lockhart in the cast, she does not appear in the released film. Other news items list Henry Burgess and Betsy Stoddard in the cast, but their appearance in the released film has not been confirmed. Moyna MacGill, who played the "Duchess," was Angela Lansbury's mother in real life.
       According to modern sources, director Albert Lewin admired the work of painter Ivan Le Lorraine Albright and so commissioned him to paint four portraits showing the stages of Dorian's dissolution. Albright, who arrived in Los Angeles with his twin brother Malvin, also a painter, was paid $75,000 for the rights to the paintings. It is unclear whether Malvin helped his brother with the project. After creating the portrait of the ravaged Dorian, Albright fell behind and did not have time to complete the others. The studio then hired Henrique Medina to paint the picture of the young Dorian. According to M-G-M publicity items contained in the AMPAS Library, the statue of the Egyptian cat goddess in Dorian's living room was cast from the original in the St. Louis Art Museum. A modern source adds that Lewin created the character of "David Stone" so that the picture would have a happy ending.
       The film received an Academy Award for Best Black and White Cinematography and was nominated for the following Academy Awards: Best Supporting Actress (Angela Lansbury), Best Art Direction and Best Set Direction. Among the many other adaptations of Oscar Wilde's novel are a 1910 Danish film; a 1913 New York Motion Picture Company two reeler, directed by M. Moore and starring Harris Gordon and Ernest Howard; and a 1970 international co-production titled Dorian Gray , directed by Massimo Dallamano and starring Helmut Berger and Richard Todd. On 21 May 1928, a play based on Wilde's novel titled Dorian Gray , directed by Augustus Thoren and starring Howard Cull and Lionel Adams opened in New York. Television versions include a 6 Dec 1961 CBS broadcast, directed by Paul Bogart and starring Sir Cedric Hardwicke and John Fraser, and a 23 Apr 1973 ABC version, directed by Glen Jordan and starring Shane Briant and Nigel Davenport. 

Bibliographic Sources:   Date   Page
Box Office   24 Feb 1945.   
Film Daily   26 Feb 45   p. 6.
Hollywood Reporter   16 Jun 43   p. 7.
Hollywood Reporter   23 Jun 43   p. 4.
Hollywood Reporter   1 Jul 43   p. 11.
Hollywood Reporter   30 Aug 43   p. 1.
Hollywood Reporter   9 Nov 43   p. 4.
Hollywood Reporter   29 Nov 43   p. 2.
Hollywood Reporter   21 Dec 43   p. 1.
Hollywood Reporter   6 Mar 44   p. 31.
Hollywood Reporter   9 Mar 44   p. 7.
Hollywood Reporter   15 Mar 44   p. 8.
Hollywood Reporter   7 Apr 44   p. 5.
Hollywood Reporter   7 Jun 44   p. 13.
Hollywood Reporter   16 Jun 44   p. 12.
Hollywood Reporter   26 Feb 45   p. 3.
Hollywood Reporter   7 Mar 45   p. 14.
Motion Picture Herald Product Digest   20 May 44   p. 1894.
Motion Picture Herald Product Digest   3 Mar 45   p. 2337.
New York Times   2 Mar 45   p. 15.
Variety   7 Mar 45   p. 20.

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