AFI Catalog of Feature Films
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The Swinger
Director: George Sidney (Dir)
Release Date:   1966
Premiere Information:   New York opening: 14 Dec: Nov 1966
Duration (in mins):   81
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Cast:   Ann-Margret (Kelly Olsson)  
    Tony Franciosa (Ric Colby)  
    Robert Coote (Sir Hubert Charles)  
    Yvonne Romain (Karen Charles)  
    Horace McMahon (Detective Sergeant Hooker)  
    Nydia Westman (Aunt Cora)  
    Craig Hill (Sammy Jenkins)  
    Milton Frome (Mr. Olsson)  
    Mary LaRoche (Mrs. Olsson)  
    Clete Roberts (Clete Roberts)  
    Myrna Ross (Sally)  
    Corinne Cole (Sir Hubert's secretary)  
    Bert Freed (Police captain)  
    Romo Vincent (Jack Happy)  
    Steven Geray (Man with fish)  
    Larry D. Mann (John Mallory)  
    Lance Le Gault (Warren)  
    Diki Lerner (Svengali)  
    Barbara Nichols (Blossom LaTour)  

Summary: Highly insulted when Girl-Lure Magazine rejects her short stories as being too naive and sugary, Kelly Olsson buys some lurid paperback books, steals lines and situations from them, and writes The Swinger , the saga of a depraved young lady, which Kelly claims is semi-autobiographical. Girl-Lure 's lecherous publisher, Sir Hubert Charles, and smooth editor, Ric Colby, doubt the authenticity of the tale and decide to pay Kelly a surprise visit. Tipped off, she wins the help of some male dancers who live in her building and stages an orgy. When Sergeant Hooker of the vice squad (another of Kelly's fellow tenants) raids the apartment, the delighted Sir Hubert agrees to publish the book, but Ric takes Kelly to his Aunt Cora in Malibu for help in reforming the wayward young woman. Ric eventually learns of the deception and takes his revenge by forcing Kelly to re-create her streetwalker past for a photo layout in Girl-Lure. His plan backfires, however, when Sergeant Hooker arrests him for forcible abduction. After Ric explains the mix-up and obtains his release, he drives off and crashes into Kelly, who was racing to his rescue on her motorcycle. The vehicles are destroyed, but Kelly and Ric end up together. 

Production Company: Paramount Pictures Corp.  
Director: George Sidney (Dir)
  Daniel J. McCauley (Asst dir)
Producer: George Sidney (Prod)
Writer: Lawrence Roman (Scr)
Photography: Joseph Biroc (Dir of photog)
Art Direction: Hal Pereira (Art dir)
  Walter Tyler (Art dir)
Film Editor: Frank Santillo (Film ed)
Set Decoration: Robert R. Benton (Set dec)
  Arthur Krams (Set dec)
Costumes: Edith Head (Cost)
Sound: Garry Harris (Sd rec)
  Charles Grenzbach (Sd rec)
Special Effects: Farciot Edouart (Process photog)
  Paul K. Lerpae (Spec photog eff)
Dance: David Winters (Choreog)
Make Up: Wally Westmore (Makeup supv)
  Frank McCoy (Ann-Margret's makeup)
  Cherie (Ann-Margret's hairdresser)
  Nellie Manley (Hairstyle supv)
Production Misc: Kenneth DeLand (Unit prod mgr)
  Mel Traxel (Stills)
  Bill Scott (Titles (uncredited))
Country: United States

Songs: "Oh So Bad," words and music by Marty Paich; "Once," music by Marty Paich, lyrics by Mel Torme; "The Swinger," music by Andre Previn, lyrics by Dory Previn; unidentified songs, words and music by Johnny Mercer, Harold Arlen, Richard Rodgers, Lorenz Hart, Billy Rose and Edward Heyman; songs sung by Ann-Margret.
Composer: Ann-Margret
  Harold Arlen
  Lorenz Hart
  Edward Heyman
  Johnny Mercer
  Marty Paich
  AndrĂ© Previn
  Dory Previn
  Richard Rodgers
  Billy Rose
  Mel Torme

Copyright Claimant Copyright Date Copyright Number
Paramount Pictures 1/11/1966 dd/mm/yyyy LP33407

Physical Properties: col: Technicolor
  Sd:

 
Genre: Romantic comedy
Sub-Genre: with songs
 
Subjects (Major): Aunts
  Authors
  Automobile accidents
  Dancers
  Editors
  Hoaxes
  Lechery
  Magazines
  Malibu (CA)
  Motorcycles
  Orgies
  Plagiarism
  Police
  Pornography and pornographers
  Publishers and publishing
  Vice squads

Note: Location scenes filmed in Los Angeles. Fashion montage photographed at Saks Fifth Avenue, Beverly Hills. 

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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