AFI Catalog of Feature Films
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Take the Money and Run
Director: Woody Allen (Dir)
Release Date:   1969
Premiere Information:   New York opening: 18 Aug 1969
Duration (in mins):   85
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Cast:   Woody Allen (Virgil Starkwell)  
    Janet Margolin (Louise)  
    Marcel Hillaire (Fritz)  
    Jacquelyn Hyde (Miss Blaire)  
    Lonny Chapman (Jake)  
    Jan Merlin (Al)  
    James Anderson (Chain gang warden)  
    Howard Storm (Fred)  
    Mark Gordon (Vince)  
    Micil Murphy (Frank)  
    Minnow Moskowitz (Joe Agneta)  
    Nate Jacobson (Judge)  
    Grace Bauer (Farmhouse lady)  
    Ethel Sokolow (Mother Starkwell)  
    Henry Leff (Father Starkwell)  
    Dan Frazer (Psychiatrist)  
    Mike O'Dowd (Michael Sullivan)  
    Jackson Beck (Narrator)  

Summary: Lonely and frustrated, Virgil Starkwell decides to become a professional thief. Though moderately successful at robbing gum-ball machines, he is apprehended and sent to prison when he attempts an armored car heist. His escape by means of a pistol whittled from a bar of soap results in a 2-year increase of his sentence. But Virgil courageously consents to act as a human guinea pig in a medical experiment and then is paroled and tries to go straight. Unable to find a job, he resorts to purse-snatching, and, while cruising a park for victims, he meets and falls in love with Louise, a lovely young laundress. Determined to change the course of his life, Virgil decides to rob a bank--but the tellers involve him in a heated argument over the spelling in his illegible holdup note, and Virgil again is put in jail. Louise visits him weekly and tries to keep up his spirits, but his jail term ends abruptly when he accidentally finds himself on the outside of the walls. Free again, he marries Louise and begins a new life by taking an office job in another state. Miss Blaire, a predatory fellow employee, learns about his criminal past and blackmails him, whereupon Virgil repeatedly attempts to murder her by stabbing her with a drumstick from the turkey dinner she has prepared. Having failed at an honest living, and with Louise now pregnant, Virgil makes plans for his future family by masterminding still another bank robbery--and once more finds himself behind bars. Undaunted, he effects a daring escape chained to five other convicts and makes his way back to Louise. Now a notorious fugitive, Virgil is recaptured and returned to jail. Sitting in his cell, he reflects on his life of crime as he picks up a bar of soap and begins to whittle. 

Production Company: Heywood--Hillary Productions (Palomar Pictures International)
Distribution Company: Cinerama Releasing Corp.  
Director: Woody Allen (Dir)
  Louis A. Stroller (Asst dir)
  Walter Hill (Asst dir)
Producer: Charles H. Joffe (Prod)
  Sidney Glazier (Exec prod)
  Jack Grossberg (Assoc prod)
Writer: Woody Allen (Scr)
  Mickey Rose (Scr)
Photography: Lester Shorr (Dir of photog)
  Fouad Said (Dir photog (see note))
  William Mendenhall (Cam op)
Art Direction: Fred Harpman (Art dir)
Film Editor: Ralph Rosenblum (Film ed)
  James Heckert (Film ed)
  Ron Kalish (Film ed)
  Paul Jordan (Film ed)
Set Decoration: Marvin March (Set dir)
Costumes: Erick M. Hjemvik (Ward supv)
Music: Marvin Hamlisch (Mus comp)
  Kermit Levinsky (Mus cond)
  Felix Giglio (Mus supv)
Sound: Bud Alper (Sd mix)
  Richard Vorisek (Sd rec)
  John Strauss (Mus & sd eff ed)
  Sanford Rackow (Mus & sd eff ed)
Special Effects: A. D. Flowers (Spec eff)
Make Up: Stanley R. Dufford (Makeup)
Production Misc: Jack Grossberg (Prod mgr)
  Fred Gallo (Unit mgr)
  Jeanetta Lewis (Scr supv)
  Marvin Paige (Casting)
  Ken Phelps (Set prop)
Country: United States

Physical Properties: col:
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Genre: Comedy
Sub-Genre: Crime
 
Subjects (Major): Bank robberies
  Extortion
  Chain gangs
  Convicts
  Criminals--Rehabilitation
  Fugitives
  Laundresses
  Murder
  Pregnancy
  Prison escapes
  Prisons
  Thieves

Note: Location scenes filmed in San Francisco and San Quentin. Fouad Said was replaced as photographer several weeks into production; he receives no screen credit. 

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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