AFI Catalog of Feature Films
Movie Detail
Name Occurs Before Title Offscreen Credit Print Viewed By AFI
Splendor in the Grass
Director: Elia Kazan (Dir)
Release Date:   1961
Premiere Information:   New York opening: 10 Oct 1961
Duration (in mins):   124
Print this page
Display Movie Summary


Cast:   Natalie Wood (Wilma Dean Loomis)  
    Warren Beatty (Bud Stamper)  
    Pat Hingle (Ace Stamper)  
    Audrey Christie (Mrs. Loomis)  
    Barbara Loden (Ginny Stamper)  
    Zohra Lampert (Angelina)  
    Fred Stewart (Del Loomis)  
    Joanna Roos (Mrs. Stamper)  
    Jan Norris (Juanita Howard)  
    Gary Lockwood (Toots)  
    Sandy Dennis (Kay)  
    Crystal Field (Hazel)  
    Marla Adams (June)  
    Lynn Loring (Carolyn)  
    John McGovern (Doc Smiley)  
    Martine Bartlett (Miss Metcalf)  
    Sean Garrison (Glenn)  
    Charles Robinson (Johnny Masterson)  
    Phyllis Diller (Texas Guinan)  
    William Inge (Reverend Whitman)  
    Phoebe Mackay (Stamper maid)  

Summary: In a small Kansas town during the late 1920's, two high school students, Wilma Dean Loomis and Bud Stamper, fall in love. Frightened by their physical desires but unwilling to have a sexual relationship, their time together is filled with confusion and frustration. Furthermore, their well-intentioned parents are of little help. Wilma's mother is a domineering woman who boasts of her aversion to men and warns her daughter that nice girls do not have sexual feelings. Bud's father, Ace, is an arrogant self-made millionaire who advises his son to forget marriage until he graduates from Yale. Unable to consummate their love, either sexually or through marriage, the youngsters end their relationship. For Bud, it means both physical and emotional collapse, and, after a bout with pneumonia, he takes up with Juanita, the most permissive girl in school. Following an attempted suicide, Wilma suffers a mental breakdown and is sent away for psychiatric care. As the years pass, additional tragedy strikes Bud. His promiscuous sister, Ginny, dies in an automobile accident; and his father, whose oil holdings were wiped out by the 1929 stock market crash, commits suicide. Bud leaves Yale after failing almost all of his courses and marries a poor Italian waitress, Angelina. When Wilma is released from the sanitarium, fellow patient Johnny Masterson proposes to her and offers her the chance for a new life. Before she can accept, however, Wilma feels that she must see Bud once more. She visits him at his little farm, and they realize that they are almost strangers and that the past must be buried. 

Production Company: NBI Productions  
  Newton Productions  
Distribution Company: Warner Bros. Pictures  
Director: Elia Kazan (Dir)
  Don Kranze (Asst dir)
Producer: Elia Kazan (Prod)
  William Inge (Assoc prod)
  Charles H. Maguire (Assoc prod)
Writer: William Inge (Orig story & scr)
Photography: Boris Kaufman (Dir of photog)
Art Direction: Richard Sylbert (Art dir)
Film Editor: Gene Milford (Film ed)
Set Decoration: Gene Callahan (Set dec)
Costumes: Anna Hill Johnstone (Cost)
Music: David Amram (Mus comp & cond)
Sound: Edward Johnstone (Sd)
Dance: George Tapps (Choreog)
Make Up: Robert Jiras (Makeup)
  Willis Hanchett (Hairstyles)
Production Misc: Marguerite James (Scr & cont)
Country: United States

Copyright Claimant Copyright Date Copyright Number
NBI Productions 14/10/1961 dd/mm/yyyy LP29395

Physical Properties: col: Technicolor
  Sd:

 
Genre: Drama
 
Subjects (Major): Adolescence
  The Depression, 1929
  Family relationships
  High school students
  Italians
  Marriage
  Mental illness
  Millionaires
  Promiscuity
  Sanitariums
  Sexual initiation
  Small town life
  Students
  Suicide
  Waitresses
  Yale University

Note: Location scenes filmed in Staten Island and High Falls, New York. Wordsworth's "Ode on Intimations of Immortality" is the source of the film title. 

Display Movie Summary
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
Advanced Search
Support our efforts to preserve hisotory of film
Help AFI Preserve Film History

© 2014 American Film Institute.
All rights reserved.
Terms of use.