AFI Catalog of Feature Films
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Sherlock Jr.
Director: Buster Keaton (Dir)
Release Date:   11 May 1924
Premiere Information:   New York opening: week of 25 May 1924
Duration (in mins):   48
Duration (in feet):   4,065
Duration (in reels):   5
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Cast:   Buster Keaton (Sherlock, Jr. [/The young man])  
    Kathryn McGuire (The girl)  
    Joe Keaton (The girl`s father)  
    Erwin Connelly (The hired man[/Butler])  
    Ward Crane (The local sheik [The rival])  
    Kewpie Morgan    
    Jane Connelly    
    Ford West (Theater owner/Gillette)  
    George Davis    
    John Patrick    
    Ruth Holly    

Summary: A young man employed at a moving picture theater is studying to be a detective by reading a book. Although he wants to buy the girl he loves a large box of chocolates, he is one dollar short of cash. While sweeping the entrance of the theater, he unexpectedly finds a dollar bill in a pile of trash, but when a female customer arrives to inquire about money she lost, the young man gives her the bill he found. Then, when a tearful older woman also claims to have lost a dollar, he gives her one from his own pocket. Next, he is so intimidated when a burly man begins looking through the trash, that he hastily offers him his own dollar. However, the tough man returns the money, then reaches into the trash to retrieve a wallet stuffed with bills. Resigned to his lack of funds, the young man settles for the least expensive chocolates and, soon after, in the parlor of her father’s house, he shyly gives the girl the candy as well as a ring with a tiny diamond. Unnoticed by them, the “local sheik,” a rival for the girl’s affection, enters the house and steals her father’s watch and chain from a vest hanging on a coat rack. He then sells it at a pawnshop for four dollars and uses the money, to buy the largest box of chocolates, which he presents to the girl. When the girl’s father reports that his watch is missing, the young man consults his book to see what a detective should do. His distraction provides the rival an opportunity to slip the pawnshop receipt into the innocent young man’s pocket. Following the book’s advice, the young man searches everyone in the room, including the father’s hired man, and is surprised when the receipt is found on himself. The father banishes the young man from the house, and the disappointed girl returns his ring. When the local sheik leaves, the dishonored young man “shadows” him in the manner his book instructs, following him through the city into a freight yard, where his rival locks him in a box car and gets away. Although the young man escapes the moving train by grabbing the spout on a water tower, he is soaked to the skin and feels like a failure. Feeling dejected, he returns to the theater and sets up the projector for the next show, unaware that the girl has meanwhile learned from the pawn shop owner the true identity of the man who stole the watch. While waiting for the next reel of the evening's film, Hearts & Pearls or The Lounge Lizard's Lost Love , to change, the young man falls asleep and dreams that the girl, her father and his rival become characters in the film. In his dream, the young man leaves behind his body and the projection booth, crosses through the theater audience and enters into the film, where he has many cinematic adventures before becoming “the world’s greatest detective--Sherlock Jr.” In the film, the girl lives in a mansion with her wealthy father. Neither are aware that the young man’s rival has stolen a pearl necklace from the family vault with the help of the hired man, who serves as a butler in the film's elegant surroundings. Upon learning that Sherlock has been summoned to solve the crime, the thieves set traps in the billiard room, hoping to fell the master detective with either a decorative medieval axe that has been rigged to fall off the wall onto him or with a billiard ball, number 13, that contains explosives. When Sherlock the “crime-crushing criminologist,” arrives, dressed in an elegant coat and top hat, he closely observes the people in the room, and evades the falling axe and the offer of a poisoned drink. When he begins to play pool, the thieves wait for the explosion, which never happens, and are unaware that Sherlock has discovered and taken possession of the dangerous billiard ball. The next day, Sherlock’s valet, Gillette, helps him prepare for the day, then Sherlock joins the action that awaits him on the street. Sherlock follows his rival to the roof of a building, then jumps into the back seat of the car his rival is driving. He is there when his rival takes the pearls to a gang of outlaws, who nab the detective and threaten to kill him. When Sherlock learns that the girl has been abducted and taken to a cabin, he escapes with the pearls and disguises himself as an old woman, with the help of Gillette. Although the thugs pursue him, Sherlock uses many clever tricks to avoid capture, then jumps onto the handlebars of a speeding motocycle driven by Gillette. Although Gillette falls off the cycle when it bumps over a large rut in the road, Sherlock continues rolling unscathed through many dangerous situations, unaware that he is alone. He discovers his predicament just before rolling into the cabin where the girl is being held, but then is able to drive off with her in one of the outlaws’ cars. Although the outlaws are in close pursuit, Sherlock gets rid of them by throwing the explosive billiard ball, but then is unable to brake the car before it careens into a lake. Undeterred, Sherlock fashions a sail out of its convertible roof, enabling the couple to remain afloat for a while. He returns the pearls to the girl just before the car begins to sink. Awakened, the young man is back in the projection booth and still feeling the sting of failure, when the girl arrives with an apology from her father. Taking his cue from the movie that is still playing on the screen, he takes her hands and kisses them, places his ring on her finger, then kisses her. When he checks the film for further instructions, he is bewildered to see that the couple on the screen now have two babies. 

Production Company: Buster Keaton Productions  
Distribution Company: Metro Pictures Corp. (Loew's Inc.)
Director: Buster Keaton (Dir)
Producer: Joseph M. Schenck (Pres)
Writer: Jean Havez (Story)
  Joe Mitchell (Story)
  Clyde Bruckman (Story)
Photography: Elgin Lessley (Photog)
  Byron Houck (Photog)
  Denver Harmon (Elec)
Art Direction: Fred Gabourie (Art dir)
Costumes: Clare West (Cost)
Country: United States
Language: English

Music:
Songs:
Source Text:

Copyright Claimant Copyright Date Copyright Number Passed By NBR:
Joseph M. Schenk 22/4/1924 dd/mm/yyyy LP20l25 Yes

Physical Properties: b&w:
  Si:

 
Genre: Comedy
 
Subjects (Major): Amateur detectives
  Dreams
  False accusations
  Motion pictures
  Motion picture projectionists
  Romantic rivalry
 
Subjects (Minor): Billiards and billiard parlors
  Books
  Butlers
  Chases
  Confectioners and confectionaries
  Explosives
  Fathers and daughters
  Hired hands
  Kidnapping
  Money
  Motion pictures
  Pawnshops
  Motorcycles
  Pearls
  Proposals (Marital)
  Robbery
  Trains
  Valets
  Watches
  Water towers

Note: Although the opening title card of the print viewed lists the title as " Sherlock Jr. ," without a comma, there is a comma in the title shown on the final title card at the end of the picture, and most contemporary sources listed the film's title with the comma. After the opening credits, an intertitle card reads: “There is an old proverb which says: Don’t try to do two things at once and expect to do justice to both.” "Gillette," the only character given a name in the film, is introduced with the written description "A Gem who was Ever-Ready in a bad scrape," a tongue-in-cheek reference to the popular brand of razor. The character name was also an homage to actor William Gillette (1853--1937), who was famous for portraying Arthur Conan Doyle's character, "Sherlock Holmes," on the stage, and had portrayed the fictional detective in the 1916 film Sherlock Holmes (see above).
       Joe Keaton, the real-life father of actor-director Buster Keaton, portrayed “The girl’s father” in the film. Modern sources state that Roscoe "Fatty" Arbuckle may have directed some scenes, and add his future wife, actress Doris Deane, to the cast. According to modern sources, portions of the film were shot in Glendale, CA and in Los Angeles around Los Feliz, Echo Park and near the intersection of Larchmont and Beverly Boulevards.
       Many film historians consider Sherlock Jr. to be among Keaton's best work, citing its special effects, elaborate stunts, and its exploration of film illusion vs. reality as landmarks in motion picture history. Some historians also have cited Sherlock Jr. as the first feature-length picture to use the framing device of a film within a film. The theme of characters within a film crossing the plane of their own reality into the fantasy world of a motion picture has been used in a number of subsequent films. Among the most prominent films utilizing this same plot device is director Woody Allen's 1985 film The Purple Rose of Cairo (1985).
       Since its debut, Sherlock Jr. has also drawn praise from film critics for innovative techniques. In one highly lauded scene that is shown frequently in documentaries about motion picture history, Keaton, as "The young man's" alter ego, "Sherlock, Jr." is trapped inside a cabin with the villains. With no other means of escape, he jumps through a closed window, then emerges outside, dressed as a woman. A similar situation occurs when Sherlock escapes through a wooden fence by jumping through a tie display box held by a large woman (The character Gillette).
       According to modern sources, the stunt in the motorcycle sequence, in which the driver falls off the vehicle, was performed by Keaton, who is seen for most of the sequence riding the handle bars but switched places with another actor to perform the stunt. Modern sources also report that Keaton broke his neck while performing the stunt in the water tower sequence. In 2000, Sherlock Jr. was ranked 62nd on AFI’s 100 Years…100 Laughs list of the funniest films of all time. 

Bibliographic Sources:   Date   Page
Film Daily   11 May 1924.   
MPW   17 May 1924   p. 21.
New York Times   26 May 1924   p. 21.
Photoplay   1 Jul 1924   p. 46.
Variety   28 May 1924   p. 27.

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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