AFI Catalog of Feature Films
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Speedy
Director: Ted Wilde (Dir)
Release Date:   7 Apr 1928
Duration (in mins):  87
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Cast: Harold Lloyd  (Harold "Speedy" Swift)
  Ann Christy  (Jane Dillon)
  Bert Woodruff  (Pop Dillon, Her Grand-daddy)
 

Summary: Pop Dillon, who owns the last remaining horse-drawn streetcar in New York, is proudly fighting off attempts by mogul W. S. Wilton to buy him out. Pop lives in an old fashioned neighborhood with his devoted granddaughter, Jane, who is in love with Harold “Speedy” Swift. Although Pop likes Harold, he is concerned by the young man's inability to hold a job, especially during baseball season. Harold loses his latest job as a soda jerk when he is distracted by the score of a Yankee’s game while running an errand for his boss. At Pop and Jane’s apartment that night, Harold urges Pop to keep resisting Wilton’s offers, as well as threats by Steve Carter, Wilton’s underling. Pop proudly explains that, as long as he runs his streetcar on city tracks at least once every twenty-four hours, they cannot shut him down. After a happy weekend jaunt at Luna Park in Coney Island, Harold and Jane return home in a moving van driven by a friend, and dream of the day they will marry and raise a family. Harold’s next job, as a taxi driver at The Only One Cab Co., is not proving to be a success. Because of misunderstandings, Harold receives two parking tickets from a surly motorcycle cop, who threatens him with jail if he receives a third. Harold’s day brightens when he parks across the street from an orphanage and learns that his hero, Babe Ruth, is there visiting the children. Because Babe needs a taxi to get to Yankee Stadium in a hurry, Harold happily volunteers his cab. True to his word, Harold rushes through New York City traffic. Despite frenetic driving that frightens even the Sultan of Swat, they arrive in time for the game. Although the same motorcycle cop is about to issue his taxi its third ticket, Harold goes to the game as Babe’s guest. Later, though, when Babe hits a homerun, Harold’s boss turns around in the stands as the ball sails past him and is infuriated to see Harold cheering instead of driving his taxi. After being fired, Harold gives his boss all of his parking tickets, then eludes the angry motorcycle cop by hiding in a phone booth. There he overhears Carter telling someone that he plans to send thugs to frighten Pop. Back at Pop’s that night, Speedy convinces him that he needs a vacation and offers to take over the streetcar the next day. Later, while Speedy tends to Pop’s horse, the neighborhood men, who have been using the streetcar as a clubhouse during the evenings, listen to Speedy tell them about the threats against Pop’s business. The angry men, some of whom are Civil War veterans, offer to help Speedy and suggest that he use the password “It smells like rain” when he needs them. The next morning, Harold has a number of misadventures, including inadvertently helping some thieves to escape on the streetcar, but finally calls out the password when Carter’s men go to work. True to their word, the elderly neighborhood men come to Speedy’s aid and enthusiastically thwart the henchmen. With the streetcar now safe, Wilton, who knew nothing about the thugs, has a change of heart, fires Carter and offers Pop his asking price of $70,000. Pop is ready to sign, but Speedy convinces Wilton that the line is now worth $100,000. With an agreement finally reached, Pop and Wilton shake hands while Speedy proposes to Jane, and she accepts. 

Distribution Company: Paramount Famous Lasky Corp.
Production Company: Harold Lloyd Corp.
Director: Ted Wilde (Dir)
  Gaylord Lloyd (Asst dir)
Writer: John Grey (Story and scen)
  Lex Neal (Story and scen)
  Howard Rogers (Story and scen)
  Jay Howe (Story and scen)
  Albert De Mond (Titles)

Subject Major: Dismissal (Employment)
  Grandfathers
  New York City
  Romance
  Streetcar conductors
 
Subject Minor: Aged men
  Baseball
  Civil War veterans
  Dogs
  Drugstores
  Fights
  Gangs
  Horses
  New York City--Coney Island
  Orphanages
  Police
  Proposals (Marital)
  Babe Ruth
  Tycoons
  Yankee Stadium (New York City)

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
 
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