HOW TO APPLY
ELIGIBILITY & SELECTION
Up to eight projects are selected to attend this intensive hands-on training workshop, after which the participants direct their projects. On average, approximately 5% of applicants are selected to participate in the program.
Successful candidates will have demonstrated collaborative skills and leadership ability in their professional careers. An affinity for identifying script material with a strong story (whether written by the applicant or another writer) is critical for consideration. Applicants must also possess a willingness and ability to fundraise and network in support of their productions.
Applicants must have a minimum of three years professional experience working in the arts. This experience may not include credits earned within an academic program. Please note that applicants with professional credits as narrative directors – defined as a directing credit on a nationally broadcast or nationally distributed narrative non-documentary feature film or television program – are not eligible to apply.
Applications are reviewed in a three-tier process.
- Applications are evaluated by the DWW staff and teams of alumnae; approximately 60 applicants will be put forward to the second tier.
- The second tier consists of a formal interview with the DWW staff and selected alumnae. Roughly 20 of these interviewees will be considered for the final tier.
- The final tier consists of a Final Selection Committee of established working directors, alumnae, and the DWW staff. Up to eight participants and two alternates are selected.
All applicants must be U.S. citizens or permanent residents (with Permanent Resident Card) and must reside and work in the United States or its territories during the workshop period. All participants are required to maintain current health insurance through the course of the DWW.
An approximate nine-month commitment to the workshop is necessary. The four-week workshop intensive in May requires full-time attendance at the AFI Campus, where the average workshop day is between eight and twelve hours.
Additionally, we will have three mandatory weekend workshops January – April at AFI. In the year following completion of the films, there is an additional mandatory workshop weekend in March as well as the DWW Showcase screening in April.
Following the workshop, candidates will be engaged in pre-production, production and post-production for the narrative projects. There are required delivery dates in pre-production and post-production, but the participant is not otherwise required to be on campus for those phases.
Please read carefully as the application and requirements change from year to year.
A thoughtful demonstration of your personal thinking as it relates to your experience as a filmmaker. Tell us about yourself, your backstory, why you want to direct, why you want to be a part of the Directing Workshop for Women, and what your planned career path is. Limit of 1000 words.
Tell us about your vision for the script you will shoot in the program. Why do you want to make it? Why is it important that YOU direct it? What will be your biggest production challenges? Limit of 500 words.
Please answer the following questions in one document. Limit of 500 words for all answers combined.
- What is your present professional occupation?
- How many years have you been working in the arts, and in what capacity?
- How did you hear about the AFI Directing Workshop for Women?
- The DWW is a tuition-free program but you will be required to raise between $20,000-$30,000 for to make your short film or episodic project. Please articulate your fundraising plan.
A resume detailing your professional work and education. No more than 2 pages.
A short description of your experiences. Limit of 200 words.
Submitted scripts must follow the industry standard for formatting: Courier font, 12 pt type, standard margins.
- FOR EPISODIC
A narrative script that totals NO MORE THAN 20 PAGES and is either A) a short film intended to sell a television concept or B) the first one to two episodes of a web series. Please note: the script should NOT be a 20-page television pilot. The production limitations of the program make shooting such a script impossible. Submitted scripts must follow standard formatting – courier font, 12-pt type, standard margins.
- FOR SHORT FILM
A narrative screenplay for a short film that totals NO MORE THAN 20 PAGES. Submitted scripts must follow standard formatting – courier font, 12-pt type, standard margins.
Applicants must submit at least one sample – and are welcome to submit two – of a moving image project that they personally directed (not co-directed) that demonstrates individual talent, ability and potential. This sample MUST be narrative. The second optional sample may be narrative, experimental, documentary, a reel, trailer, commercial, etc. CANDIDATES THAT DO NOT SUBMIT ONE NARRATIVE SAMPLE WILL NOT BE CONSIDERED.
Samples must be submitted as a Vimeo or YouTube link.
Great directors must be great storytellers. The ability to identify or create material for development is vital to a director's success. The screenplay does not have to be written by the applicant. However, if an outside writer's material is used, all necessary rights must be obtained from the author and submitted with the application, including the rights to adapt previously existing material.
- Literary Release:
If your screenplay was not written by you, please have the other writers/rights-holders sign the AFI Literary Release and submit it below. Submissions not written by the applicant that do not have the accompanying signed document will not be considered.
- Underlying Rights Agreement:
If your script is based on existing material, the rights-holder must sign the Underlying Rights Agreement. Submissions based on underlying material without the accompanying signed document will not be considered.
There is a fee of $125 to apply to DWW. This payment can be made before submitting your application online via credit card or PayPal. AFI does not return application materials.
We believe the application process should be a learning experiences. The DWW provides application feedback on all submitted applications. (We do not, however, provide career advice or comment on how to develop submitted materials.) To get feedback on your application, you must sign up for a feedback slot during the month of February. Feedback cannot be given at any other time and is only given over the phone.
AFI cannot provide critical comment or advice on submitted materials. AFI does not return or release application materials.
Applications for the 2018-19 DWW cycle are now closed.
APPLICATIONS FOR THE 2019-20 CYCLE OPEN AUGUST 1st, 2018 and will close at MIDNIGHT ON AUGUST 31st, 2018.